Tag: Book Reviews

For the Love of Books #23

Spring in the UK, from heavy rain to glorious sunshine, fading daffodils to colourful tulips; the unpredictability of changing seasons brings its own kind of magic. And so I’m stopping by with two recommendations of stories with magic in recognisable worlds.

The Iron Brooch by Yvonne Hendrie

In 1940s London, seventeen-year-old Brigid chooses an iron brooch, a family trinket, as her ‘something old’ to wear on her wedding day. But the heirloom is more mysterious than she could have imagined: through it she receives bird-like visions of Scotland’s Doon Hill in Aberfoyle, the place of her father’s homeland. Pregnancy forces Brigid to leave her family home and head to London to find lodgings, but the visions grow stronger, leading Brigid right out of 1940s time, for a while.

So begins the magical dual-timeline novel, connecting 1940s London inextricably with 1690s Scotland, and the story of Robert Kirk, searching for his lost love in realms beyond this world. It is around the time of the festival of Beltane when the veil grows thin, revealing fae sightings and dangerous magic from a wholly mysterious race. Robert’s heartfelt search leads to research and a resulting manuscript, ‘The Secret Commonwealth of Elves, Fauns and Fairies,’ by Robert Kirk, a book Brigid grew up reading.

I was absorbed by Brigid’s story from the first, moved by her struggles of grief and pregnancy, and rooting for her as she is forced to navigate the world alone. And as she increasingly sees through the veil, I was utterly captivated by the depth into which the author delves into the preternatural, while expertly grounding us into the real. It is a truly spellbinding tale so tightly woven, that for a moment at least, you question the flickering haze in the corner of your eye.

A Master of Djinn by P.Djeli Clark

The year is 1912, and Lord Worthington oversees the gathering of a secret brotherhood, established to uncover the wisdom of Al-Jahiz, the disappeared Soudanese mystic. The world sits at a precipice, man’s ability to create has exceeded his ability to understand, leaving dangerous forces at play. A masked man arrives, claiming to be Al-Jahiz, and slaying the Brotherhood with powerful magic.

Meanwhile, Fatma is puffing on her hookah. Enchanted massel is a banned substance, but Fatma is practised at sorcery, skilled in conjuring the smoke. While surrounding deals are made over discovered antique bottles, Fatma produces her badge which states she is with the ministry, an organisation charged with creating balance between the mystical and the mundane. When a eunuch arrives with a message for Fatma, she heads off to Giza to investigate the supernatural crime at Lord Worthington’s house. Twenty-four people are dead, burned by fire, though there are no signs of a fire. Abigail, Lord Worthington’s daughter, saw a masked man in the house, but otherwise the identity is a mystery. And so begins a detective investigation by Fatma, her new partner, Agent Hadia, and her old love, Siti.

A magical read, founded on the old Gods entombed beneath the earth of Egypt in colossal sarcophagi, like the Pharoahs of old. And among the hum drum life of Egypt’s streets, alive with tantalising description and compelling narrative, there are men in gold masks, ghuls, beings of flames called Ifrits, and elemental djinns with ephemeral bodies as transparent as sheer fabric. Among city riots, the investigation is brought alive by the central relationship between Fatma and Siti, two women, or a woman and a djinn? And as momentum gains pace, the characters deepen, exploring identity, exploitation, oppression and magic, bringing to life the humanity of magical beings.

What are you reading?

For the Love of Books #22

Approaching the end of LGBTQ+ history month here in the UK, and I thought I would share two SFF titles, if not for historical relevance, for the significance of representation. Sci-fi has often been seen as ahead of the curve in breaking barriers, and across the genres, marginalised voices are coming to the fore.

The Four Profound Weaves; by R.B. Lemberg

The first of the four profound weaves is woven from wind to signify change, invisible threads woven into whispered weaves, spun from a captured wind and revealing hints pf pink and silver desert hues. This type of descriptive narrative flows throughout this magical novella, with tantalising magic woven from the surrounds, almost plain to see but impossible to catch – just like a magic carpet, which was one of the reasons I was drawn to this book.

The story begins with Uiziya, sitting in her goatskin tent waiting for the return of her exiled Aunt Benesret. Her weaves cannot compare to Benesret’s, whose expert fingers could weave even from bones. Uiziya’s lessons of the Four Profound Weaves are unfinished, and still she waits to inherit her aunt’s loom, waiting to learn the weave of death. It’s a weave that involves an actual death. Benesret previously killed Uiziya’s husband for the sake of the weave. It was the reason Benesret was banished, because she killed. Nevertheless, it is a weave Uiziya must learn, since she is destined to become a great weaver of the Four Profound Weaves, one who would bring the gods themselves to her bidding.

Uiziya’s search for Benesret coincides with the Nameless Man’s search for his name. It is three months since the Nameless Man’s transformation at the ceremony of change, but his people, the Khana, don’t recognise transformed people, instead insisting that the shape of one’s body determines one’s fate. Uiziya is also a changer, since after weaving her cloth, the sandbirds came to her.

This is a brooding tale against a colourful backdrop, incorporating thought-provoking contemporary discussion of gender identity and transitioning. The Nameless Man ponders the social impact of his transformation: all his life he had been a lover, trader, and reluctant grandmother who cared for their grandchildren. Now he was a grandfather. But in his culture, grandchildren never saw their grandfathers. It is insight like this that gives real depth to character, narrative and backdrop. Fantasy woven alongside these personal journeys of transformation, reveal the challenges of surrounding microaggressions designed to undermine an identity to uphold another. I loved the simple statement given in one response to tireless questioning of a person’s identity: ‘This is what feels right to me.’

Thought-provoking themes set against an imaginative world called Birdverse, described with magical lyricism that is a feast for the senses, makes for a truly memorable story.

Gideon the Ninth; by Tamsin Muir

Enter the world of lesbian necromancers…

Gideon lives on a remote planet, home to both the stronghold of the House of the Ninth, and a tiny prison used for criminals whose crimes are so repugnant, they cannot be rehabilitated in their own houses. The Ninth House is an enormous hole cracked vertically into the planet’s core, and the prison is a bubble installation set halfway up into the atmosphere. Gideon first arrived when her mother mysteriously appeared, falling down the planetary shaft. Gideon, just one year old at the time, survived the fall. She was chipped, surnamed and put into the nursery. By age five they knew that she was not a necromancer, and by eight that she would never be a nun. By ten they knew she knew too much and could never be allowed to leave. By the time she is eighteen, Gideon has attempted to run away eighty-six times. The alternative would be to die in this dark netherworld, which would only be the beginning.

On the tenth thousand year of the King of the Undying, Prince of Death, Gideon makes another attempt, only to be thwarted by the Lady of the Ninth House, Reverend Daughter Harrowhawk. Harrowhawk has her own plans for Gideon: for Gideon to become cavalier primary of the House of the Ninth. Serving Harrowhawk may not be Gideon’s idea of a good time, but it’s the only way to leave. But what will she be leaving for?

Welcome to an inventive and ghoulish world, where mysterious tendrils lie in wait to ensnare and crush the life out of those still living; a labyrinth of death, bones, panic, quest and mayhem. Disorganised chaos is punctuated with sarcastic, sadistic and mysterious notes that speak to the reader as much to the characters, tempting you to turn the page and delve further into this Alice in Wonderland-esque creepy maze. Magically weird, dark worldbuilding, with lively narrative and well-scripted dialogue brings to life the humanity of necromancers.

What are you reading?

 

For the Love of Books #21

2023 so far has been filled with some magical reads. As writers we look for those layers to encapsulate and bring to life the essence of characters, cultures, worlds… and two titles stand out, for their intrinsic connection with music, that adds depth in a way that is difficult to define, because it’s as omnipresent as culture in stories masterfully woven.

Nine Bar Blues, by Sheree Renee Thomas

Nine Bar Blues is an extraordinary collection of evocative tales, rich, layered and textured with magic that haunts, uplifts and ascends any bounds of expectation. With prose that sings and muse that flies through the pages, I was hanging onto every word that guided me deeper into the authors layered imaginings and startling observations. From curse-bound sisterhood journeying to the source of ancestry, through poisoned landscapes of an other-worldly earth, to golden mermaids, tales are woven with musical renditions that move with the rhythm of cultural change, alive with the sounds of souls.

This is magic and fantasy rooted in the real; snapshots of life as sharp as cut glass that stop you in your tracks and make you lose your breath for a long pause. From contemporary social justice concerns, and words that carry the weight of history in finely-drawn prose, this collection speaks truth to the abuse of power, truths that sing to slave songs, lost souls, and the blues. An inspiring and masterfully woven collection.

Songspinners, by Sarah Ash

Orial works with her father, Dr Magelonne, in the Sanatorium of the spa city of Sulien. She is close to her father, more so since her mother, Iridial, died. Iridial had lived and breathed music, and now Dr Magelonne forbids music, since it provokes memories too painful to endure. But, like her mother, music flows from Orial like water. Only in the Undercity, at her mother’s shrine, can she practice the art that she has taught herself. But there she experiences strange visions in a waking dream – the searing pain of burning flames.

The underground labyrinth of the Undercity was built by ancient builders, the Lifhendil, commonly known as Songspinners in modern-day Sulien. Their artwork is still displayed on the Undercity’s walls, but their beliefs and language are lost, save for fairy stories and folk tale. This mysterious race possessed a unique trait – multi-coloured irises, which Orial and her mother shared. And as the world unfolds, revealing the depth of Orial’s gift, wonder, intrigue and danger merge.

In the Undercity, Orial is approached by refugees from Bel’Esstar, fleeing persecution from the Commanderie. One of the refugees, Amaru Khassian, is a composer, whose hands have been badly burned, injuries so severe, he won’t regain the use of his hands. A strange and unique connection exists between Orial and Khassian, one that makes clear to Orial that she simply must have music in her life, whilst for Khassian, a dangerous chain of events are triggered. Their personal music describes their uniqueness, and their contrasting and connected plights: Orial’s as darting and bright as a dragonfly’s flight; Khassian’s with despair and madness fuelled by ego.

This is an evocative, beautifully drawn world. I adored the magic, memorable, tangible, yet delightfully just beyond our reach, with tales of musical telepathy, faeries and dragonflies, and mystical reservoirs. Orial’s character was utterly captivating from the start, a thoughtful, determined, empathic young woman, and utterly intriguing in her magic as the story unfolds like an orchestral song. And as tensions run high in this complex world, the question remains, will Orial succumb to madness?

What are you reading?

For the Love of Books #20

The new year begins with a flurry of writing projects, and a stack of books just waiting to be devoured. I can’t wait to get stuck into my Xmas haul:

Nnedi Okorafor’s Binti series has been on the list for a while now, as I steadily devour everything this author has written from her ever-expanding wonderfully inventive collection. Which brings me to my ‘For the Love of Books’ book recommendations, both titles by this brilliant author.

Broken Places and Outer Spaces, By Nnedi Okorafor

Broken Places & Outer Spaces is an extraordinary, powerful and intimate biographical read. From star athlete with lifelong scoliosis, to a paralyzed patient following what should have been routine surgery, Nnedi Okorafor shares a journey she was forced to navigate. It was a battle that would ignite her passion for storytelling and the transformative power of imagination. It is a journey that, combined with her strong ties with Africa, in turn brought her back to science, allowing her to forge a connection with science fiction where previously she had felt disconnected.

‘In much of science fiction, when something breaks, something greater often emerges from the cracks. This is a philosophy that positions our toughest experiences, not as barriers, but as doorways, and may be the key to us becoming our truest selves.’

‘Inventive’ and ‘illuminating’ spring to mind when describing this author’s work. There is vivid colour and tone in her work that touches the senses, and a truth to the content and style that is steadfast, determined, and perhaps deeply driven to connect with the deepest parts of self. After reading this book, I have a greater appreciation of where that colour comes from. It is an account touching on illness and disability, with experiences I could relate to on a personal level, which in turn was incredibly illuminating and inspiring. In true form of where reality meets science fiction, this is Nnedi’s potentially true story of transforming into a cyborg.

Noor, By Nnedi Okorafor

Anwuli Okwudili, by definition to many Nigerians, is trouble. In her home of Abuja she is a demon, a witch, an abomination. To replace an organ or two with cybernetic, 3D-printed, non-human parts was fine, but go too far and you will be seen as more machine than human, the lowest of the low, cultureless offspring of the elite. In truth her cybernetics made her a damn good mechanic, but fixing cars, phones, problems… making people happy, still wasn’t enough to be understood. Disabled at birth, further disabled in a following car accident, she had been building on herself for years. The neural implants cost her her fiancé who claimed enough was enough, but AO saw no reason why she shouldn’t make her own decisions, that would mean she could move through the world on her own terms. And she did, in her hometown Abuja, until events took a turn and she was forced to flee into the desert.

‘There are times when you either save yourself or you don’t.’

Interesting characters come and go, including Baba Sola, a white man in the desert, not there to colonize, appropriate, seize and destroy, but rather to travel, learn, laugh, share and observe. And her main companion, a herdsman from nowhere, called DNA. Baba Sola leaves them with a message: they’re coming, and when they come, know your worth. And they did come, and AO knew her worth, and her capability at taking on the Ultimate Corporation.

I adored the unlikely heroine, a real survivor, feisty and determined in her independence and self-worth. It is an inventive story set in Nigeria, with mysterious haboobs and Ultimate Corp warehouses – a place you’ll never understand unless you enter one, and when you do, prepare for a ride. And the city of legend, the Hour Glass, where people go to be found, to disappear or to just be. It is there where AO discovers her true powers, that will make her question whether she was an experiment, an accident, a glitch or a mutation. Whatever she was, now the whole world knows it. Game on. A brilliantly inventive read.

What are you reading?

Jolabokaflod 2022

In celebration of Iceland’s very wonderful Christmas Eve tradition, Jolabokaflod, I bring to you my own ‘Christmas book flood’: a 12 day book advent of my personal favourite reads from 2022. From fantasy and sci-fi, to short collections, to biography, steampunk, and epic historical fiction, it is a wonderful and eclectic collection brought to you in no particular order.

Enjoy!

Day 1 – Book of Fire by Michelle Kenney: feral people, a wild girl, hidden forests and so much more. A perfect blend of imagination, mythology, and plausible science to describe a possible future dystopia.

Day 2 – The Second Bell by Gabriela Houston – the intimate heartfelt story of Salka, a girl born with two hearts. An unforgettable MC, courageous in the face of harsh laws that test her demon heart.

Day 3 – The First Woman by Jennifer Nansubuga Makumbi – and just WOW what a read! Epic, deeply personal, and a testament to the true and lasting connections between history, tradition, the present day… and the immense power of stories.

Day 4 – Coalescence by Tim King – an extraordinary and dynamic collection of rhyming memoir, storytelling verse, rants, raves and revelations that reflect the clear light of day, told with grace, sparkling humour, punchy frankness and expert simplicity.

Day 5 – The Jasmine Throne by Tasha Suri – evocative fantasy with sapphic romance, lush world building, and forbidden tales of origin and magic folklore. Loved the feminist edge, unafraid of tackling issues of independence and empire pertinent to the world as we know it.

Day 6 – Everfair by Nisi Shawl – alternate history of Belgium’s colonization of Congo, exploring an outcome if indigenous people had had their own steam tech. Loved the inventiveness that blends perfectly with the African backdrop.

Day 7 – Broken Places and Outer Spaces by Nnedi Okorafor – biographical read from star athlete with lifelong scoliosis, to a paralysed patient following routine back surgery; how the transformative power of imagination ignited her passion for storytelling.

Day 8 – Noor by Nnedi Okorafor – biotechnology, cybernetics, destiny, and a kick-ass MC, AO, disabled from birth, determined, independent and powerful. ‘There are times when you either save yourself or you don’t.’

Day 9 – There – a wonderful poetry collection from Exeter’s Slam Champion Poet 2022, Clare Morris, in collaboration with artist, Nigel Bird. Word and art woven together, oozing with soul, that makes you want to saviour the moment.

Day 10 – The Mermaid of Black Conch by Monique Roffey – on an imaginary Caribbean island, the love between man and mermaid felt as real as a blackbird’s song. Tantalising blend of the mythical woven into visceral realism of everyday life. A wonderful read.

Day 11 – The Iron Brooch by Yvonne Hendrie – a magical, dual-timeline novel, with captivating depth that delves into the preternatural. Brigid is forced to navigate a world where the veil grows thin, revealing the dangerous and mysterious Celtic fae. Spellbinding.

Day 12 – The Four Profound Weaves by R.B. Lemberg – Uiziya’s journey becoming a great weaver: tantalising magic woven from wind, sand, song and bone. A brooding, sinister and colourful backdrop, with thought-provoking gender politics. Loved the trans MC. And magic carpets! Wonderful read.

***

In turn, it was wonderful to see my own Blood Gift Chronicles make several advents this year, including Stairwell Books.

Now back to my Xmas Eve read…

Wishing everyone a wonderful festive season!

For the Love of Books #18

Thinking along the lines of complex characters, non-conforming women with agency, and sapphic romance in the fantasy genre, I thought I’d stop by with a recent read:

The Jasmine Throne; by Tasha Suri

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For the Love of Books #17

There’s a summer heatwave here in the UK, which begs the question of recommendations to while away sunny afternoons lounging in the sun, or taking shelter in the shade. I’ve gone for two epics, something to get your teeth into, both great reads in their own right.

An Unkindness of Ghosts, by Rivers Solomon

For generations, World ship HSS Matilda has ferried the last of humanity through space to a mythical Promised Land. With a society organised like the antebellum South, led by brutal leaders, it is a system built on racism and misogyny, attacking the dignity of sharecroppers like Aster. While the ruling sovereign enjoy comfort in the upper decks, the lower class are effectively slaves, forced to occupy the uninhabitable lower decks. It is a story of survival, where brutal losses are not shied away from, making it at times a difficult read, but also an important one.

It is sci-fi, with a world that feels so real, driven by characters that reflect a range of human experiences, including neurodivergence, and representation of LGBTQ+ exploring sexuality and gender. The protagonist, Aster, is flawed, self-effacing, astonishingly courageous, with a huge heart and fierce hope despite what most would think are hopeless odds. I adored her. Each step of the way her journey is a lesson in working with what you’ve got, never giving up, appreciating that no matter what, there are always choices to be found. She actively looks for those choices, never stops fighting, never relents to the iron fist of the perpetrators. There’s so much depth in the writing, and in Aster’s character that it’s impossible not to root for her from the beginning. As the reader I found myself in her point of view, searching for the clues her mother left, cheering her on as she pieces together scraps of evidence, desperately hoping that she may find that infamous way off the ship. But first she must sow the seeds of civil war.

The Fifth Season, by N.K. Jemisin

The world is ending, again, for an unstable Earth where geological disasters lead to apocalyptic events that happen every hundred years or so; little wonder the population regard Earth as the enemy, and value survival above all else. This most recent apocalypse sees a great red rift tearing across the heart of the continent known as the Stillness, spewing ash that will darken the sky for years if not centuries. Against this deadly backdrop, a complex society exists, with various human races, and another sentient species, Orogenes, those with power over the earth itself. Orogenes are feared, hated and exploited by humans, since the Orogene’s powers are deadly, but they can also protect civilisations.

The story follows three distinct and haunting voices. Young Damaya is a powerful Orogene, kept locked away because of her dangerous curse. Syenite is so powerful she is able to raise an obelisk, something not seen in over 3000 years, exposing mysterious ruins of the many civilisations that came before. And Essun, a woman living an ordinary life in a small town, who comes home to find her husband has brutally murdered their son and kidnapped their daughter. A powerful Orogene, Essun sets out across the dying lands in pursuit of her wrecked family, prepared to tear the world apart to save her daughter.

I was invested in the main characters from the start, in particular Essen’s emotionally charged opening storyline. Through Essun we explore those shades of grey: emotionally closed off, she cares only about finding her daughter, and will kill anyone who gets in her way. I also appreciated the diversity of characters, and the ease with with LGBTQ+ relationships are introduced, as is the case with other works by this author. Overall, with its intricately built world and highly complex cast, this is an in-depth, imaginative and inventive story.

What are you reading?

For the Love of Books #16

Some stories come along that remind you of the extraordinary scope of SFF. Everfair is one of them. I was fortunate enough to ‘meet’ the author on a panel at last year’s online World Fantasy Convention. After hearing her mention her own book, I was quick to look up the title, and was instantly intrigued by what sounded like an important story. I wasn’t wrong.

Everfair, by Nisi Shawl

Everfair is an extraordinary book, that delivers what the concise blurb suggests, which is no mean feat within the realms of 381 pages. Beginning in the era of King Leopold of Belgium, and the atrocious horrors he wrought in Congo, this speculative masterpiece upends history and carves out an alternate version, giving voice and power to those historically silenced. Using steampunk technology, the native populations of the Congo forge an independent identity and the utopia of Everfair. I adored the inventiveness that perfectly blends with the backdrop: the weaponised air balloons that cover miles of African landscape, and the high-tech prosthetic limbs highlighting the realities of colonial crimes and empowering the victims of those crimes.

All of this is achieved through history told and re-imagined, with invention, political intrigue, unconventional families, diverse love, drama and heroics, power and compromise, delivered through multiple viewpoints that give wonderful depth to a complex era retold.

Beginning in 1889, Lisette Toutournier dreams of a world beyond her small town – and boy does she get that! Meanwhile, in the Congo, ivory has been replaced by rubber, and Reverend Lieutenant Thomas Jefferson Wilson witnesses the horrors that Africans are put through to get it. Fearing for the future of all those suffering abominations in the Congolese Free State, he sets out to speak up against the atrocities. He travels to the UK and implores crowds to write and petition to parliament, calling for abolitionism. But Jackie Owen, a member of the socialist Fabian Society, has a better idea.

In 1893, in Kisangani, Congo, King Mwenda wonders whether his decision to ban all whites from the country was a mistake. He is guided by his spirit father, advice revealed in pictures shown upon Shongo blades. He publicly declares his intention for his people to abandon their lands and disperse. In tune with the timings of the sun’s movements, it is a calculated approach, designed for his intelligence to be underestimated by the whites. Therefore concealing his true intention.

All this, and we’re approaching the first world war.

With Mwenda guided by the shine of his blade, and a multitude of viewpoints expertly delivered through a wonderfully diverse cast, this hard-hitting, magically inventive, and extraordinary tale is told, one that shines a light on history, truth, and the human condition to invent, re-invent, and ultimately take the reins of our own destiny.

What are you reading?

 

For the Love of Books #15

I have a treat in store for this episode of ‘For the Love of Books’, with a trilogy that reminds me of all I love about the YA fantasy genre. I anticipated enjoying the Book of Fire series, with feral people, a wild girl and hidden forests – what’s not to love? It’s all that, and so much more.

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