Tag: Climate Fiction

Books, Climate and #IWD2022

I recently saw a thread on twitter, asking the question, ‘Should we celebrate things when doing so feels like a travesty?’ There’s so much happening in the world that is hard, heart-breaking, scary and overwhelming. Is it then wrong to celebrate World Book Day, art, or the women who inspire us? Finding strength and empathy in times of crises requires resilience. Hopelessness leads to apathy; powerlessness leads to paralysis. So how do we build resilience that allows us to fight for change and do what is within our power?

Perhaps we build resilience through hope, and stave off despair by sharing ideas, strength and joy. That magic ingredient which energises each of us is individual to who we are. For me, it’s stories, books and art, community, and common goals that create positive change. And so, themed on International Women’s Day, comes my blog of two parts. Art news is still to come, but first, a blog from my world of books.

I have many favourite women authors: Octavia Butler, Nnedi Okorafor, Ursula Le Guin, to name a few. All are/were pioneers in their own right, and creative witnesses to the past, present and future. I was delighted to receive a short but sweet recent review of my novel, The Warder, and to be compared to the mighty Ursula Le Guin (blush).

Another fantastic Leguinesque fantasy
Dave Holwill, author and reviewer, reviewed in the United Kingdom on 4 March 2022

And in celebration of International Women’s Day, I joined the lovely folks of Stairwell Books for an online event, alongside other authors and readers, sharing readings and discussion on the subject of eco feminism, climate change, and the place of fiction. It was great to hear readings from Border 7 and O Man O Clay, two dystopian novels I’ve read and loved. As I gave a reading from my own, Return of the Mantra, I was reminded of the origins of my debut. A fantasy novel with themes of climate change, and contrasting worlds inspired by the landscapes of the Sudan, and South Africa, where I once lived.

Quick recap: The main character is a young woman called Suni. She’s brought up in a desert town ruled by a tyrant leader. All she has known is desert and drought that has lasted for decades. She’s been raised to believe in the old ways of the Mantra, which has a mythology around the cause of the drought. And so begins her story of self-discovery and identity, and a fight for the natural world. She believes the resistance of old are dead, and that there is nothing beyond desert, until she discovers a hidden world where nature is hanging on – I won’t give more away, but on the subject of positivity, I went for an extract that inspires hope.

Click here for the YouTube link to the event, and my extract reading.

It’s what I think fiction can do well, give hope: bring empathy where it’s lacking, shine a light on injustices, show us how strong we can be when the odds are stacked against us, or just allow us the joy of reading. We drive our characters on through thick and thin, and (unless they don’t!) they survive. Themes of climate change run throughout the backdrop of Return of the Mantra. In the following sequels, the story takes a different turn as the world unfolds, but nature still features. I hadn’t necessarily planned it that way, but as I work through Blood Gift Chronicles Book 3, I realise how closely my characters live alongside wildlife. Perhaps there’s hope we can all close the gap between humanity and the natural world.

What are you reading?

For the Love of Books #11

I often think dystopian fiction is a great tool for looking at those uncomfortable truths and predicting what might be if we continue down certain paths. With the recent COP26, it feels timely to mention two reads that serve as a cautionary tale to climate change and the socio-political fallout that brings.

This Is Our Undoing by Lorraine Wilson

This is our Undoing is speculative fiction interspersed with mystery, cli-fi, alternate futures, and a sprinkling of the supernatural. In a near future Europe fracturing under climate change and far-right politics, Biologist Lina Stephenson works in the remote Rila Mountains safely away from London State. A fugitive from her former life, her father persuaded her to get out. Now she is protected by the local militia after signing over citizenship. But following the assassination of a London minister, Lina’s name comes into question, threatening the safety of herself and her family. And to make matters worse, she is trapped with the dead man’s family.

So begins this complex, intricately woven tale, written in the third person although told primarily from Lina’s perspective. The cast is diverse, each battling events greater than themselves. As entwined personal histories are revealed, the characters are left wondering who they can trust and the readers are left wondering who is a reliable witness, making for a compelling plot. A character I particularly enjoyed was a mysterious young boy, Kai, who Lina is inexplicably drawn to. I was left wanting to know more about the boy who fights monsters, but parts of the mystery remain just beyond our reach, leaving space in the narrative for the reader to draw their own conclusions. I also loved the remote mountainous setting and Lina’s role as a biologist studying the conservation of biodiversity. The rich descriptions of place and wildlife were beautifully told, offering an immersive and atmospheric experience that I didn’t want to end. Yet despite the vast landscape the sense of claustrophobia and tensions grow, as the ultimate question is posed: who might you condemn to save another?

O Man of Clay by Eliza Mood

“They said sea level would rise one day when the polar caps melted and fell into the sea but this was not the future, it was now.”

O Man of Clay offers a dystopian future with a cautionary tale of climate change. After the tsunami hits Eastern England, Scotland, Denmark and the Netherlands, it brings it close to home with Hartlepool as the setting. For those of us in the UK, having a local feel adds power to the message, and the story pulls no punches with the bleakness of that message.

As the walls goes up, three teenagers face being trapped in the flooded zone: Zoe, from Hartlepool, haunted by all she has lost, collecting fragments of humanity in her treasure tin; Volk, a refugee from a Soviet prison colony; and Alma. The present day is woven into each of the character’s pasts, and for me, Alma’s backstory was one I particularly enjoyed. Her ancestors are Buryats, consisting of Evenki hunters and Mongol herders who lived on the shores of Bailgal Nuur. The mythologies and beliefs of an indigenous people are beautifully told, highlighting voices often marginalised but with the most to say and the deepest connections to the natural world and all that is at stake.

I found the story to be a slow burn with literary merit, rather than a fast-paced thriller/adventure. There is huge depth to the prose that meanders with the interlinking past and present, that feel like well-investigated snap shots in time. Time is running out, and while some survivors search for a way to live, others look for ways to die, in a story that reveals the depth, harshness and beauty of humanity and the life we all stand to lose.

What are you reading?