Tag: Epic Fantasy

Fantastical Creatures

It’s proving to be a fantasy-filled Saturday here at the British Fantasy Society’s Jubilee event – thank you Zoom! Given a reading slot for The Warder, Book Gift Chronicles Book 2, it was great to be able to squeeze in extracts highlighting the points of view of the three main characters. First up, Luna, a girl plagued by visions. Then her older cousin, Wanda, a young man gifted and also cursed by a shadow bound to him. And finally, someone who Wanda shares history with, a woman gifted to watch over her young friend.

As it turned out, the timing worked well, with my reading following a fascinating and fun Fantastical Creatures panel. Storytelling being as old as time, it’s interesting to consider what sparked the big cat legends, or how big birds carrying babies away might have given rise to the first flying dragons. And in the world as we know it, with species going extinct, how stories of dragons often feature a certain melancholy, analogous to real world extinctions. Whatever the origin, from lumbering giants and fearsome trolls, to magical elves and vampires, mythical creatures have captured imaginations since the dawn of time. Spawned from their environment, whether its selkies in a loch, or bogies chasing hunter/gatherers, they are used to entertain, to uphold morality, to connect to the divine, and warn against dangers. And they teach humility. There are things bigger than us, things beyond our control, things of the unknown.

Dragons featured heavily in the panel, of course, with discussion that got me thinking about the dragons I introduce in my own series. Rather than simply other-worldly, havoc-wreaking creatures that are an extension of the existing natural world, the dragons in my series are two-fold: an introspection of the dragons within us, woven into storylines analogous to trauma, loss, mental health, love, loyalty, and empowerment; and yes… the ultimate power rendering us common folk helpless. And then things change again in the final instalment, Book 3, and oh I’m having fun with the magic in that…

It’s such a great genre to work in, with so much scope, and fun – in many ways a great homage to the magic of childhood. As for incorporating fantastical creatures, the options are endless. Do we lean into existing creatures and their tropes, or create something new? As familiar as dragons are, I’m definitely going for a wholly fresh, new angle. And never say never to inventing something entirely from scratch. With so many folders on file and ideas to mull over, new creatures are in there taking shape. Perhaps the imagination is a muscle. The more you use it, the bigger it gets. Love what you do and I certainly do love creating thought-provoking and colourful fantasy worlds that might also just offer some insight into the world as we know it.

To finish, I’ll leave you with a couple of fantastical creature story recommendations: The Forgotten Beasts of Eld by Patricia McKillip, featuring a fantastical menagerie including a swan, a dragon, a lion and a boar; and The Water Bailiff’s Daughter by Yvonne Hendrie, for lovers of selkies.

What are you reading?

Happy New Year 2022!!

New Year’s Eve was a day for tying up loose ends, making plans, visiting friends, and a quick trip to one of my favourite places in Exeter: the quay.

   

 

The streets were quiet, but the late-night skies were ablaze with fireworks. Now ever-so-slightly-bleary eyed and time to reflect.

2021 has been a memorable year in more ways than one. I was super proud to be able to release The Warder, Blood Gift Chronicles Book 2, and to receive Firebird Awards for both Return of the Mantra (winner of LGBTQ fiction category) and The Warder (winner of YA fiction category). Click here for my award interview.

Like its predecessor, The Warder was a labour of love over many years, and it’s great to hear from readers who have got in touch or listened at various on-line and in-person events this year.

“The Warder is the sequel to one of my favourite books of 2018, Return of the Mantra. I wasn’t sure Susie would be able to increase the enthusiasm I had for her characters and her world, but she left me reeling after a couple of pages.”

“The way Susie was able to expand her world without slowing down the narrative was a masterclass in worldbuilding.”

‘This book is a charming story of loss, love and finding yourself in the most unexpected places. It is epic fantasy with a heart that will leave you scarred but begging for me. Plus it has dragons and who doesn’t love dragons. I can’t wait to return to this world.”

Click here for full review.

I couldn’t wait to return to the world either, and have been immersed in book 3, working towards the conclusion of the overarching story that connects these three books. Tying up loose ends is hugely satisfying, while further developing the landscapes of the world, complete with new characters and familiar faces at the next stage of their lives. With colour, depth, texture and layers, I’m excited to get back to the writing.

For now a pause as we tip into January, complete with a fresh new diary just waiting to be filled.

I love this time of year, these moments of calm after the busyness of Xmas, the quiet after fireworks to consider possibilities for the year ahead.

Wishing everyone a Happy, Healthy, Peaceful, Creative, Wonderful New Year 2022!!

For the Love of Books #12

On these dark winter evenings, with Storm Barra bringing blustering gales, it’s the perfect time to cosy up with a good read. I bring you two recommendations, currently among my favourite fantasy reads:

The Empress of Salt and Fortune, by Nghi Vo

The Empress of Salt and Fortune is a delightfully exquisite read. Set against a backdrop reminiscent of Imperial China, it tells the story of the empress In-Yo who is sent south for a political marriage. With her brothers dead, and her armies and their war mammoths defeated, she is alone in a mage-made summer exile. But this northern daughter is powerful enough to bring her enemies down. Told using layers of stories bound in culture and mythology, tenderly drawn on and richly described, I wanted to linger, and so when I finished the book I went straight back to the beginning and started again.

“Angry mothers raise daughters fierce enough to fight wolves.”

The storyteller is Rabbit, an elderly woman and former handmaiden to In-Yo, the Empress of the North. A cleric named Chih (non-binary) and their hoopoe, Almost Brilliant, are listening to the tale of The Empress of Salt and Fortune. ‘Do you understand?’ Rabbit says infrequently, as if she is speaking to the reader as much as to Chih. The tale is told in magical layers, with a unique structure and flow that challenges convention and tired tropes, and offers the reader the feel of complete immersion into the world of these heart-warming characters. Packed into 118 pages this is an epic, incandescent tale of resilience, rebellion, devastating truths and forgotten secrets. Richly-woven characters often side-lined take centre stage to deliver the tale through memory and meditation, with exquisite prose creatively told, unravelling worlds within worlds that leave you literally spellbound.

The Forgotten Beasts of Eld, by Patricia McKillip

Sixteen-year-old Sybel has grown up on Eld Mountain among a fantastic menagerie called there by wizardry. She cares nothing for humans, until a baby is brought to her to raise.

I adored this magical read with its wild mountainous setting, home to Sybel, a complex, flawed, self-critical, compassionate and brave woman. The presence of the child, Tamlorn, awakens unfamiliar emotions in her, and their relationship develops from simple care and compassion set against a complex world. Her home is the wild, and it is through her relationships with the creatures in her life, including a swan, a dragon, a lion and a boar, that we see her true nature reflected. But caring for the boy brings her into the world of men, where revenge becomes her motive no matter the cost.

A fairy tale with great emotional depth, the story tackles issues from love to abuse to blind revenge, providing a fascinating look at how our desires and fears can make or undo us. A range of human relationships are explored from the perspective of a woman who would choose no relationship at all, except for with her menagerie of beasts. Sybil’s character has realness that feels like a refreshing portrayal, one I could get behind from the start. Her personal journey is the emotional depth, revealing what it is to love, to betray, to be misunderstood, to let go, and ultimately to face yourself.

A compelling and weirdly comforting read that now ranks among my favourites.

 

What are you reading?

 

FantasyCon 2021

Nearing the end of September and the month has flown by. Last weekend involved a trip to Birmingham to join FantasyCon 2021, an annual convention celebrating the weird and wonderful worlds of SFF.

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Firebird Book Award

I’m delighted to share the news that Return of the Mantra has won a Firebird Book Award!! It’s wonderful to have recognition for the story. Affiliated with Speak Up Talk Radio in the USA, it’s an inspiring initiative linking the awards with a charity supporting women and children in homeless shelters: while books receive recognition, shelters receive gifts – win win.

I had the opportunity to be interviewed by radio host, Pat Rullo. To listen to the interview download, click here.

And to check out my author page, click here.

It was wonderful to speak with Pat yesterday, who got me thinking about various aspects of the book, my writing journey, and my creative life in general. From the African inspired landscapes in Return of the Mantra, the motivation behind the inspired mythology, to issues around representation and marginalisation in characterisation. The main character just happens to fall in love with another woman. It’s not what the story is about, it’s just part of her backstory, encompassing coming-of-age love. The story backdrop focuses on exploitation of the natural world, while along the way, exploitation of people is revealed, in particular, women and children, as well as the marginalisation of beliefs. Moving forward with the series, it interests me to see what societies go through when systems are overthrown and oppression is challenged. I hope you’ll agree that The Warder offers some insight into how characters evolve and change amid new freedoms and surrounding upheaval.

Overall, the interview got me thinking about the power of stories. Because of the charity that the awards are linked to, it seemed apt to expand on the themes of exploitation in the book, including domestic abuse and sexual exploitation. Having worked with women in various roles, in particular in a women’s refuge here in the UK, it was important for me from the beginning to have a broad range of women’s experiences represented. These are issues often not spoken about, which can leave those effected feeling marginalised. In the book I represent these issues in a non-graphic way, while focusing on messages of empowerment, and the bonds formed from people supporting one another. Together with challenging stereotypes (including different forms of love, complex women, hero underdogs, men who nurture and feel fear as well as courage…) and reflecting society, I was left with the thought of how stories can help harbour feelings of self-worth, affirmation and empowerment.

What are you reading?

 

New Horizons

I’ve returned to Blood Gift Chronicles Book 3 and it’s good to be back. In the midst of a revisit to early drafts, I’m no stranger to heavy-handed deleting, as I incorporate ideas I’ve been mulling over for a while. I plan and plot, dig deep for depth and meaning, while leaving space for the story to evolve and the characters to grow.

I’m excited for this story that will once again work as a standalone, but really, why wouldn’t you read the whole series! Each book is a story in itself, but they’re all connected by an overarching theme. The background mystery we’ve seen unfold so far, comes to a finale in Book 3, and as the world expands, new characters arrive, intermingled with familiar faces. As before there is grit and magic, mythology and drama, love and survival, and dragons… all driven by intriguing characters and spellbinding landscapes.

Like I said, it’s good to be back…