Tag: reading

Octavia Butler & the Freedom of SFF

It is just over a week ago that I returned from the International Science Fiction Convention, Worldcon 2024 in Glasgow, and what a magnificent few days it was. I have lots to catch up on and share, the sights and inspirations, but first I want to begin with a few thoughts on my latest read, a woman who kept me company for the convention, whose words have been ringing in my ears for many years, the wise and deeply human, Octavia Butler, whose ‘The Last Interview’ was a joy to read.

Octavia Butler was a survivor, a dreamer and a loner. She was painfully shy as an adolescent, dyslexic, and ‘probably’ gay was her literal answer to a direct question. Bloodchild was about male pregnancy. She enjoys working in SF for the freedom it offers, the ability to go into any technological or sociological problem and extrapolate from there. Her work is underpinned by concepts of power, told in worlds of different races, sexes and cultures, with interest in powerless people gaining power. A theme I very much identify with as a context for my own work.

I first read Octavia Butler when I was a young teen, starting with Kindred. Dana Frankin, a Black woman from an interracial marriage in LA in 1976, is mysteriously and repeatedly plucked back in time to 1824 Maryland and to a moral dilemma involving her white ancestor. The author describes how it was purposeful to give Dana a white husband, to complicate her life, and it was purposeful to make her lose her arm, to demonstrate that she could not come back whole from those experiences. The perspective is told from the viewpoint of not what it might have been like for her ancestors, but rather what it might be like for her, how slavery might reshape her emotionally, whether the compromises and capitulations she would have to make might destroy her, and if not, why not?

Octavia Butler speaks of striving to tell a good story, to take the reader to a world they haven’t seen before, one she has enjoyed creating. She subverts expectations about race, gender, and power, incorporating strong women, multiracial societies and aliens who challenge humanity’s penchant for destruction. In Bloodchild, she wanted to subvert expectation of the invasion story, often represented as humans colonising other planets and either facing aliens who resist, or who submit and become good servants. The author created another possibility in the Oankali, a centipede-like creature that you’re not supposed to regard as evil. It is a species that do not force or rush humans into mating but rather try to bring them in gradually. And in Adulthood Rites, the Oankali become convinced that they cannot destroy the humans who participate, and that humans deserve an untouched world of their own, even if it is Mars.

Octavia Butler advocated for write what you care about, rather than write what you know, (or what you think you know, which is often just regurgitating ideas you have been told, ideas you might tell yourself you believe, when in fact you don’t). Writing can push back against human laziness that is prone to stereotyping as a form of shorthand, that might be a way to deal more with the things we care about and less with the other, but it is reductive and can prevent us from discovering things we could want to know.

Last word:

“Feminism is freedom. It’s the freedom to be who you are and not who someone else wants you to be. And science fiction? Science fiction is wide open. You can go anywhere your imagination can go.”

xxx

For the Love of Books #30

Approaching the end of February and taking a break from the UK rain, with a feast of worldbuilding in two epic fantasy recommendations… Enjoy.

The Wolf and the Water; by Josie Jaffrey

Big things come in small packages: an apt phrase for this modest-sized book that contains a world of extraordinary depth.

If you like detailed worlds, family sagas, crime, intrigue, and a protagonist to champion, then this is for you. I was rooting for the protagonist from the start, a young woman called Kala, considered doubly sullied by the powers that be: once for her father’s foreign birth, once by her disease that left her crippled. She is heir to the tribe of Glauks, in the city of Kepos, a walled city that borders the sea. Unknown to Kala there is a second, secret sea, and a forbidden pool where she goes to swim and feel free from the pains in her body.

When her father unexpectedly dies, everything changes. Kala’s mother must remarry, and proceedings are put in motion for marriage to a man, Nikos; a dangerous man not to be trusted. Left trying to find a place for herself in a newly ordered world, Kala looks for allies she can trust: Melissa, a girl brought to her as a companion, someone she grew up with and is close to; and Leon, Nikos’ son. Characterisation includes a complex love triangle further demonstrating Kala’s uniqueness and individuality.

Kala suspects poison was the weapon used to kill her father, and she vows to do whatever she must to determine the truth. It is a plight which takes her deep into the heart of this dangerous world built on complex tribal politics, headed by the Archon and a priesthood of hierophants. Forced to question her own foundations, there is self-discovery and family revelations, and a journey through this world and beyond, to ‘the edge of shadows’, the wall, warded by Acolytes to keep the dead where they belong.

“I think if I could just push my fingertips through the centre of my chest, I could pull my rib cage open like wings and let it all fly out of me.”

The narrative is as sharp as cut glass, appropriate for a story that demands attention. Based on a world inspired by Plato’s account of the island of Atlantis, prepare for a complex society, with dynamics and entanglements of a broad cast. This is the story of Kala, and her fight for the truth: who killed her father and why?

The Unspoken Name; by A.K. Larkwood

The Shrine of the Unspoken One is cut into the mountainside, looking out over the House of Silence nestled into the valley. There, fourteen-year-old Csorwe is raised to be the chosen bride, an innocent vessel through which the voice of the God can speak.

I loved the opening to this epic fantasy, which reminded me of Le Guin’s Tombs of Atuan, with its edgy, sinister world holding a girl hostage to a tragic fate. In The Unspoken Name, the story explores the spiritual and cultural depth controlling Csorwe’s life in the House of Silence, as she awaits a tragic fate: the day she will sacrifice herself at the Unspoken One’s shrine. But a month before that day, a stranger arrives seeking counsel for his quest: where is the Reliquary of Pentravesse?

According to the library of the House of Silence, it is an inadvisable quest, with all manner of ill consequences following in its wake. But the wizard Belthandros Sethennai finds the idea irresistible and prepares to head out. Although he will not go alone. On the day of Csorwe’s sacrifice, he waits in the shadows, tempting her to leave with him, and live. As he says, “The secret of greatness, is to know when you should risk the wrath of God.”  

So begins an unlikely adventure of a runaway and her new master, through inventive worlds delivered with magical description that brings to life an imaginative feast of worldbuilding, with vibrancy and colour supported by a wonderfully diverse cast. Csorwe is at the heart, on a journey of survival and self-discovery, adapting to her changing circumstances, transforming into a heroine of the free world.

What are you reading?

 

Reach of Fantasy

Starting the day with thoughts of turbulence. Mid-August and it’s blustery out there, grey, drizzly, a far cry from summer, and a world away from the heat wave of last year. It feels like a bizarre contradiction to the devasting heat and wildfires that have ravaged so many places around the world with an ever-continuing climate crisis. Plus the thought that life is unpredictable, and so we move, alter course, expand, hopefully – themes shared in recent poetry, and in art. And they are themes that are blossoming, mushrooming, expanding in my current work-in-progress novel, Blood Gift Chronicles Book 3. Since Book 2 I have allowed myself the time to pause, to take a breath, to see the way for characters old and new, and they spoke back. I’m listening, allowing them their rightful space, their authenticity, their power and potential. Spanning both time and space, their journeys are huge, but human.

Fantasy takes us on a flight,

Fantasy allows us to ground,

Fantasy gives us space to grow,

Fantasy reveals colour tone.

As the writer I was waiting for that deeper shade, that revealing essence. Once found, the words flow. Until the unpredictability of life calls for a pause. This week the garden was calling, or more specifically a bench, and so I’ve been elbow deep in DIY. Monday is just around the corner, and a woman called Ze awaits, for me to write her through the next phase. (Smile.) Her journey is complex, universal. But the higher the mountain we climb, the further we can see. Or at least it’s true for Ze, since she has lived, loved, and lost. And when everything is lost, there is everything to gain…

On a personal note, an ability to expand can involve changing your mind. And I recently changed my mind about a thought I was holding onto, the thought that a book is best read direct from pages held in your hands. And while I still think this is true, especially for a writer who works on screen, there are definite benefits to ebooks and so I relented. Now I’m excited to think that if ever I’m away, I will have a library with me, and for titles only published as ebooks, they will no longer be out of my reach.

My current read is The Book of Yokai: Mysterious creatures of Japanese Folklore. Mysterious sounds… something watching in the dark… creatures from the in between… – stuff that might keep you up at night, or in Mia’s case, lull you to sleep…

Have a great weekend!

For the Love of Books #26

If ever I needed a reminder of the heights of great worldbuilding, this collection, from one of our great SFF pioneers, Ursula Le Guin, offers a masterclass. Eight short stories and novellas bring us worlds near and far, those travelling between worlds, and shifting perspectives from outwards to inwards with thought-provoking poignancy.

The Birthday of the World; by Ursula Le Guin

To give you a sneak peek into the inner workings…

The Birthday of the World

The Birthday of the World is considered to be the time the sun stands over Mount Kanaghadwa, when people count themselves a year older, although the rituals and ceremonies are no longer remembered. In a society struggling with their concept of god, the narrator reflects on their own beliefs, rituals and ceremonies, layering a world where gods dance and die, and wild dragons fly. But with wars at the borders, lands have grown too large and the existence of God itself is threatened. The world must die so that God may live, and so the narrator is left pondering the identity of God itself.

Old Music and the Slave Women

Esdan, a chief intelligence officer, ends up on a clandestine mission during a civil war. Intercepted by government forces, he is imprisoned on a large slave estate, where his perspective becomes increasingly limited. In a brutal world, this is a story of survival, and hopeful endeavour in the coming revolution. Will the rebellion reach them? From humiliating violence, to muddy waters of human inequity in supposed liberation, to the failings of world construct to deliver utopia, it is in the bonds between slaves that kindness and comfort is found, and where the heart of the story lies.

Paradise Lost

On a multi-generational voyage to a potentially habitable planet, Liu Hsing and Nova Luis are members of the fifth generation born on the space ship. Many are excited by the idea of discovery, a planet to explore and send information back to the human species. But some people, especially the older generation, subscribe to the religion of Bliss – the state of a blissful journey, with no end. For them, Bliss is the only reason to stay alive. Liu and Nova are faced with followers of the religious cult who question if living on a planet is such a joy. There are also environmental themes, highlighting the challenge of making change, and the overall question of what is natural and what is not. An interesting read, fascinating in its construct, and thought-provoking in the themes of isolation, religion and utopia.

Solitude

Solitude is told by the narrator, as she reflects on her experiences growing up on Eleven-Soro. Her mother was an Observer, whose work involved settling among the native people of Eleven Soro, to learn about this complex alien world. Cultural differences between mother and daughter eventually drive them apart. Where the mother shuns the alien culture, the narrator adopts it as her own, wanting to grow her soul and experience what it means to be  a person of that culture. It is a theme reflective of generational confusion, complicated by outside influence. It is also an interesting use of perspective, approaching the culture of Eleven-Soro from a colonised mindset, yet entirely shifting perspective onto a young woman who becomes part of it. Cultural norms are highlighted, which require societies of modest population, driven by a desire for solitude and the social norm being introverts, perhaps essentially selecting for autism. In true style of Ursula Le Guin, subverted expectations are delivered with ease, which illuminate and surprise, in this creative and thought-provoking world.

The Matter of Seggri

Set in the dystopian society of Seggri, the story is written as a first contact report on the ship’s log of the Wandership. The captain describes a complex society which demonstrates gender as a social construct. Gender expectation is subverted and replaced with inventive roles. The impact of colonialism is also questioned, with consideration given to a society destabilised by outside contact. Previous colonial interference messed with chromosomes, which now results in there being sixteen women for every one man. In the present day, men have all the privilege and women have all the power. Given the opportunity, would men cling to their privileged status or demand freedom, and would women resist giving up their power? Would the sexual system break down?

Unchosen Love

In a world textured with colour, legend and mystery, a polygamous society is structured around family units called sedoretu. Hadri has been chosen to join one such family, after a man seeks out his affections. Homosexual and heterosexual coupling is commonplace, and various aspects of relationships are explored, including the more insidious coercive control.

‘Being unhappy in a room is worse than being unhappy outdoors.’

It is following one mysterious encounter that Hadri comes to realise his true feelings. It is a startling discovery, not least for himself, and brings with it a tantalising coming-of-age feel.

Mountain Ways

This story continues with the themes from Unchosen Love, with society structured around the same sedoretu units. Two women fall in love outside of convention, but over time they conform and strive to form a sedoretu. Through it we see the cost of compromise, the bitterness of conformity and restriction, a stark contrast to two previously independent souls. It was an intriguing and illuminating play on character, that also undoubtedly left a bitter taste. There was also an interesting interplay with the natural world, challenging the concept of ownership. I particularly enjoyed the portrayal of environmental equity.

Coming of Age in Karhide

Set on the fictional planet of Gethen, a place where adults have no fixed gender identity, the story follows Sov Thade Tage em Ereb, a teenager living in a large communal home in the Karhidish city of Rer. As Sov experiences biological changes, it is clear they are ready for kemmer, held in a communal Kemmerhouse for those sexually receptive. Any children conceived in the Kemmerhouse are raised in the communal home, the hearth. Sov and their friend, both ready for kemmer, express fears that being in kemmer is dehumanizing, being seen as a sex machine. And so Sov’s coming of age story is told, of changing bodies and sexuality that was utterly relatable, as well as a meaningful alternative look into gender identity in a place where, quite simply, love is love.

What are you reading?

Just Write, Right?

I don’t often give out writing advice, mainly because I feel more like an eternal learner, but then again, maybe that’s the point. That and the fact I was thinking about how writing, how stories, are a form of communication, and then comes the importance of reading. In a complex world we want our words to hit home, to reflect, to challenge, to inspire… And so we must be open, to grow, to learn… and to read.

Read and learn from what you read, about language, plot, character, and overall flow. Think about the good, the not so good, and those stories that pull you in and keep you there in every beat, engrossed to the final page. What flow, what depth, keeps you turning the page? What do you look for? What do you want to produce?

Write. Read your work out loud, to yourself, to another, to a roomful of others. Stretch and test yourself, until the words sound like music to your ears. Then write, revise, edit, produce more. We’re always striving, always learning, always growing. And when it comes to seeking publishing, always keeping on going. Live with the rejections, keep submitting, and in the meantime write some more, rest, refresh, revisit with clarity and the courage to keep producing, revising, transforming into unique pieces of something new.

You may have inspiration. You may have that elusive talent. The good news is that writing depends on neither. Hard work can produce talent. Engaging in the process can produce inspiration.

Octavia Butler said, “Forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is perseverance in practice.”

So form the habit. Create routines. Write, explore and flex the imagination muscle. Stay determined to develop and grow and produce work to the best that it can be. Listen to the response. Adapt, learn, grow, and persist.

Read. Write. Persist.

And once your book is produced, you have the pleasure of spotting it on a bookshop bookshelf, as I spotted mine last week when visiting Tiverton’s lovely Liznojan bookshop.

Keep writing. Keep reading. Love Books.

Have a great week!

For the Love of Books #6

As a reader, I love to discover authors who I come to trust that pretty much whatever they write, it’s fairly certain I will enjoy. For me, Nnedi Okorafor is one such author.

She is a prolific writer and I have read a number of her works. For the sake of this blog, I have selected two sci-fi titles.

 

Lagoon by Nnedi Okorafor

I am frequently in awe of the imagination and inventiveness this author brings to her stories, but even by her own standards, Lagoon is exceptional. Aliens have arrived in Lagos, and right from the beginning when we meet an eco-warrior swordfish, I was hooked.

The three main characters – Adaora, the marine biologist, Anthony, the world-famous rapper, and Agu, the troubled solder, (not to mention Ayodele, the lead alien) – are supported by a diverse cast which bring to life this modern-day Nigeria. They are refreshingly free from stereotypes, while the author does not shy away from the reality of prejudice and bigotry. The richness of setting is further emphasised by the appearance of monsters and masquerades, which add depth that creates the feeling of folklore as much as sci-fi.

Overall, Lagoon is a breathtaking read, with an urgent pace in line with the enormity of an alien invasion. I loved the attention to detail, offering an immersive experience into the vibrant city of Lagos. And when I came to the end, after I had caught my breath, I was left yearning to sit down to a meal of jollof rice, egusi soup and pounded yams.

The Book of Phoenix by Nnedi Okorafor

In a time when much of Manhattan was under water, Times Square was land stable enough to house Tower 7. There were 39 floors to this two-hundred-year-old skyscraper, and on the 28th floor lived Phoenix – a genetic experiment, a speciMen, an abomination.

She is an accelerated woman, just two years old, but with the mind and body of an adult, and powers beyond imagining. Finding love and friendship with Saeed, another biologically altered human, Phoenix is content to abide by the rules and live a quiet life. Until she is given cause to question the truth of her identity, and discovers that everything she has ever known is a lie. When her powers are unleashed there is no going back.

The richly described world and inventive plotline, had me gripped from the first page to the last. The characters are extraordinary, with multi-faceted personalities and motivations that make them completely relatable; heroines and heroes speaking hard truths to the world, dealing with social injustices and inequalities from the personal to outright war. I was swept away by Phoenix’s journey as she encounters love, truth, power and betrayal, and struggles to comprehend and accept the timeless nature of her powers. This is a multi-layered story, spanning continents; from America to Africa and beyond… literally to the stars.

What are you reading?

 

For the Love of Books #5

Following Devon Book Club’s #fantasyfortnight event, my reading list has grown substantially. In turn I’ve been able to share some of my recommendations, including the titles in this blog. I have my local St Thomas library to thank. I’ve always regarded libraries as an essential hub of the community, and in the time of a global pandemic, they came to the fore. Courtesy of the library’s online click and collect service, I’ve been able to get my hands on some really great reads.

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#fantasyfortnight

Each Monday evening at 8pm I tune into Devon Book Club on Twitter, following the conversation at #devonbookhour. Perhaps less personal than a face-to-face book club, although with members from Devon and beyond, as far as New Zealand, it gives an interesting perspective on all things books. And every so often there are themed events, like #fantasyfortnight beginning next week. Since I am a resident writer and reader of the fantasy genre, I have been asked to co-host, and to prepare an accompanying video introducing the event, some personnel recommendations of mine, and a snippet intro. of my own work.

Click here for the video.

It’s an interesting way to start the year, which was also accompanied by a new book delivery to replenish stocks of Return of the Mantra. I do love the sight of a box of new books.

Happy reading, happy writing, and if Twitter is your thing, feel free to join Devon Book Club for #fantasyfortnight – Worlds Beyond Borders: from folklore and fairytale to demons and dystopia.

For the Love of Books #1

Reviews are a gift to a writer, and so I like to do my bit, especially when it’s a book I’ve particularly enjoyed. For any book lovers out there yet to discover Goodreads, I highly recommend it as a treasure trove for championing books and discovering new reading material.

Two dystopian titles come to mind when I think about recent great reads.

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For the Love of Books

I often think of stories as a gift to the world; at least that’s how they feel to me when I’m reading. Whether it’s reading to relax or be entertained, wanting to learn something new or have your imagination stimulated, or wanting to travel and explore from the comfort of your sofa. And when a book becomes worn after several rereads, there comes the feeling of companionship found while curled up with favourite characters.

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