Tag: SFF

For the Love of Books #20

The new year begins with a flurry of writing projects, and a stack of books just waiting to be devoured. I can’t wait to get stuck into my Xmas haul:

Nnedi Okorafor’s Binti series has been on the list for a while now, as I steadily devour everything this author has written from her ever-expanding wonderfully inventive collection. Which brings me to my ‘For the Love of Books’ book recommendations, both titles by this brilliant author.

Broken Places and Outer Spaces, By Nnedi Okorafor

Broken Places & Outer Spaces is an extraordinary, powerful and intimate biographical read. From star athlete with lifelong scoliosis, to a paralyzed patient following what should have been routine surgery, Nnedi Okorafor shares a journey she was forced to navigate. It was a battle that would ignite her passion for storytelling and the transformative power of imagination. It is a journey that, combined with her strong ties with Africa, in turn brought her back to science, allowing her to forge a connection with science fiction where previously she had felt disconnected.

‘In much of science fiction, when something breaks, something greater often emerges from the cracks. This is a philosophy that positions our toughest experiences, not as barriers, but as doorways, and may be the key to us becoming our truest selves.’

‘Inventive’ and ‘illuminating’ spring to mind when describing this author’s work. There is vivid colour and tone in her work that touches the senses, and a truth to the content and style that is steadfast, determined, and perhaps deeply driven to connect with the deepest parts of self. After reading this book, I have a greater appreciation of where that colour comes from. It is an account touching on illness and disability, with experiences I could relate to on a personal level, which in turn was incredibly illuminating and inspiring. In true form of where reality meets science fiction, this is Nnedi’s potentially true story of transforming into a cyborg.

Noor, By Nnedi Okorafor

Anwuli Okwudili, by definition to many Nigerians, is trouble. In her home of Abuja she is a demon, a witch, an abomination. To replace an organ or two with cybernetic, 3D-printed, non-human parts was fine, but go too far and you will be seen as more machine than human, the lowest of the low, cultureless offspring of the elite. In truth her cybernetics made her a damn good mechanic, but fixing cars, phones, problems… making people happy, still wasn’t enough to be understood. Disabled at birth, further disabled in a following car accident, she had been building on herself for years. The neural implants cost her her fiancé who claimed enough was enough, but AO saw no reason why she shouldn’t make her own decisions, that would mean she could move through the world on her own terms. And she did, in her hometown Abuja, until events took a turn and she was forced to flee into the desert.

‘There are times when you either save yourself or you don’t.’

Interesting characters come and go, including Baba Sola, a white man in the desert, not there to colonize, appropriate, seize and destroy, but rather to travel, learn, laugh, share and observe. And her main companion, a herdsman from nowhere, called DNA. Baba Sola leaves them with a message: they’re coming, and when they come, know your worth. And they did come, and AO knew her worth, and her capability at taking on the Ultimate Corporation.

I adored the unlikely heroine, a real survivor, feisty and determined in her independence and self-worth. It is an inventive story set in Nigeria, with mysterious haboobs and Ultimate Corp warehouses – a place you’ll never understand unless you enter one, and when you do, prepare for a ride. And the city of legend, the Hour Glass, where people go to be found, to disappear or to just be. It is there where AO discovers her true powers, that will make her question whether she was an experiment, an accident, a glitch or a mutation. Whatever she was, now the whole world knows it. Game on. A brilliantly inventive read.

What are you reading?

Jolabokaflod 2022

In celebration of Iceland’s very wonderful Christmas Eve tradition, Jolabokaflod, I bring to you my own ‘Christmas book flood’: a 12 day book advent of my personal favourite reads from 2022. From fantasy and sci-fi, to short collections, to biography, steampunk, and epic historical fiction, it is a wonderful and eclectic collection brought to you in no particular order.

Enjoy!

Day 1 – Book of Fire by Michelle Kenney: feral people, a wild girl, hidden forests and so much more. A perfect blend of imagination, mythology, and plausible science to describe a possible future dystopia.

Day 2 – The Second Bell by Gabriela Houston – the intimate heartfelt story of Salka, a girl born with two hearts. An unforgettable MC, courageous in the face of harsh laws that test her demon heart.

Day 3 – The First Woman by Jennifer Nansubuga Makumbi – and just WOW what a read! Epic, deeply personal, and a testament to the true and lasting connections between history, tradition, the present day… and the immense power of stories.

Day 4 – Coalescence by Tim King – an extraordinary and dynamic collection of rhyming memoir, storytelling verse, rants, raves and revelations that reflect the clear light of day, told with grace, sparkling humour, punchy frankness and expert simplicity.

Day 5 – The Jasmine Throne by Tasha Suri – evocative fantasy with sapphic romance, lush world building, and forbidden tales of origin and magic folklore. Loved the feminist edge, unafraid of tackling issues of independence and empire pertinent to the world as we know it.

Day 6 – Everfair by Nisi Shawl – alternate history of Belgium’s colonization of Congo, exploring an outcome if indigenous people had had their own steam tech. Loved the inventiveness that blends perfectly with the African backdrop.

Day 7 – Broken Places and Outer Spaces by Nnedi Okorafor – biographical read from star athlete with lifelong scoliosis, to a paralysed patient following routine back surgery; how the transformative power of imagination ignited her passion for storytelling.

Day 8 – Noor by Nnedi Okorafor – biotechnology, cybernetics, destiny, and a kick-ass MC, AO, disabled from birth, determined, independent and powerful. ‘There are times when you either save yourself or you don’t.’

Day 9 – There – a wonderful poetry collection from Exeter’s Slam Champion Poet 2022, Clare Morris, in collaboration with artist, Nigel Bird. Word and art woven together, oozing with soul, that makes you want to saviour the moment.

Day 10 – The Mermaid of Black Conch by Monique Roffey – on an imaginary Caribbean island, the love between man and mermaid felt as real as a blackbird’s song. Tantalising blend of the mythical woven into visceral realism of everyday life. A wonderful read.

Day 11 – The Iron Brooch by Yvonne Hendrie – a magical, dual-timeline novel, with captivating depth that delves into the preternatural. Brigid is forced to navigate a world where the veil grows thin, revealing the dangerous and mysterious Celtic fae. Spellbinding.

Day 12 – The Four Profound Weaves by R.B. Lemberg – Uiziya’s journey becoming a great weaver: tantalising magic woven from wind, sand, song and bone. A brooding, sinister and colourful backdrop, with thought-provoking gender politics. Loved the trans MC. And magic carpets! Wonderful read.

***

In turn, it was wonderful to see my own Blood Gift Chronicles make several advents this year, including Stairwell Books.

Now back to my Xmas Eve read…

Wishing everyone a wonderful festive season!

Heroes & Villains in SFF

I’m engrossed in the re-writes of Blood Gift Chronicles Book 3, with characters spanning the good, the bad, and the morally grey, in this far-reaching world where ‘reap what you sow’ takes on a whole new meaning. In a recent scene with a particularly dastardly character, it got me thinking about what makes a good villain.

Breaking Binaries of Good v Bad in SFF

Part Two of World Fantasy Con 2022, and a few thoughts from a great panel that I was one of the speakers of – Just Who is the Villain? A deep dive into looking at the good, the bad, and everything between. Who doesn’t love morally grey villains that strike that uncomfortable chord?

World Fantasy Convention 2022

Coming to the end of a wonderfully inventive, inspiring and truly imaginative World Fantasy Convention 2022. As we look for ways to break the mould, as well as barriers in our stories, international conventions are looking to do the same, finding platforms to raise a wonderfully diverse range of voices. It’s also a reminder of the inequity of barriers faced, as we search for those authentic voices. Hopeful, as we see gains made, reflected in my ever-going to-read list, while humbling in the knowledge of an uneven worldwide playing field. Still, there’s hope. If anyone knows how to find new and innovative solutions, it’s surely those that occupy the speculative fiction sphere.

   

A Season of SFF Conventions

Looking forward to the week ahead, because… it is WORLD FANTASY CONVENTION 2023, my third year there, and I will be tuning into New Orleans from the comfort of my writing room. Really excited for so many inspiring panels, and conversations with readers and writers alike. And of course, I’m looking forward to being a panelist again, programmed on Friday’s, Just Who is the Villain panel. Buzzing – but more on that later.

WorldCon 2022 Non-Conforming Women Part 2

After a slight interlude, here is the promised Part Two, to follow my recent post entitled WorldCon 2022 Non-Conforming Women.

Whereas the first post looked at some favourite women on screen, there are some wonderfully inspiring books out there that go a long way to challenge the gender status quo and free all our characters up to be who they want to be. Representation matters and I’m all for subverting expectation to give unique stories and characterisation.

As for the question of how I explore gender in my own epic fantasy series, Blood Gift Chronicles

WorldCon 2022 Non-Conforming Women

Worldcon 2022, aka Chicon was a wonderfully busy long weekend with an inspiring, eclectic mix of subject matter to delve into, explore, get lost, and re-emerge with fresh eyes and thoughts revitalised. It was also genuinely tiring, despite attending virtually, being based in Chicago and the time difference that brings, so plenty of late nights. And now I’m still on catchup, cramming in viewing as many panels as possible before they disappear into the ether.

Worldcon: Pre-Convention Dragons

Two days to go and I will be at Worldcon, the 80th World Science Fiction Convention which this year is being held in Chicago. Thanks to the wonders of technology, I’ll be tuning in from the comfort of my writing room. As well as being an avid spectator, I’m joining in with the programme, which involves taking the time to consider my work and perspectives.

And this Tuesday morning it’s all about dragons… which feature in my series Blood Gift Chronicles. Prior to the books, in the planning stages, I didn’t start out with the intention of writing dragons, although it’s possible that there was something happening in the sub-conscious. I mean who doesn’t love dragons? I remember the decision-making process, whether to go with something as familiar and perhaps obvious, or go for invention. Ultimately, I was drawn to dragons, or at least versions of them – as familiar as dragons are, I’m definitely going for a whole new angle.

I was thinking about the quote by Ursula Le Guin: “I do not care what comes after; I have seen dragons dancing on the morning winds.”

They are creatures that reveal an awe-inspiring feeling of other-worldly magic. They are the ultimate strength, the lesson in humility, the fact that there are things bigger than us, out of our control. But rather than the idea of going up against a dragon, trying to beat a dragon, the story develops into becoming a dragon, what that reflects in us, storylines analogous to loss, love, loyalty, grief and empowerment – the idea of ‘beyond this place, there be dragons’ – rather than an outer journey, thinking about an inner journey that someone might go through in transforming.

Back to Blood Gift Chronicles, and dragons don’t actually feature until the third book. Stories are told of them in the second book and the magic is alluded to, but it’s not until the third that we discover the big mystery of the dragons.

A final thought for now, the idea of dragons comes with a kind of melancholy, that idea of bordering on extinction – extinction of magic, and the fantastical, and creature extinction. That fits with some of the themes in the books, around wildlife and the environment. There are storylines around the interplay of capitalism and corruption and impacts on nature, and just generally, wildlife is a very visible backdrop throughout the books, almost with an identity of character in lots of ways. In fact, in book one it does take the form of a fantastical creature character.

Have you met the Mantra yet?