Tag: SFF

Quiet Contemplation

It has been a long and productive day on catch up with emails and various admin tasks, mostly in relation to up-and-coming events and conventions. Countdown has begun for WorldCon, the 80th World Science Fiction Convention in Chicago – thanks to Zoom I will be attending from the comfort of my writing room.

I’m looking forward to taking part in more panels and readings at WorldCon and other events coming soon. There’s certainly no time like the present to hone in on some of the subjects that strike a chord for me in reading and writing: intersectional feminism and queering the genres, non-conforming women warriors, challenging stereotypes, power dynamics, worldbuilding and the societies and creatures that inhabit them. I could go on…! It will be wonderful to share thoughts and ideas, be inspired, and add to that all-important reading list that never seems to diminish. Magic, literally magic!

In the meantime, around home are colourful corners for quiet contemplation. With more recent artwork to hang, I’ve been discovering unexpected partnerships between portrait and abstract mosaic landscape.

For further afield moments of calm, I feel grateful to have a river close by. Last Saturday involved a day’s cycling trip downstream as far as the sea, seeing the changing flow and feeling refreshed as the ocean’s vast expanse takes shape.

Yesterday evening, in need of a quiet moment and a big breath of fresh air, we took a meandering amble along the river, catching a riverside scene basking in a golden glow, before resting a while in Belle Isle park, where the weeping willows drape feathery tendrils against the riverbank.

Wishing everyone a good weekend ahead.

For the Love of Books #17

There’s a summer heatwave here in the UK, which begs the question of recommendations to while away sunny afternoons lounging in the sun, or taking shelter in the shade. I’ve gone for two epics, something to get your teeth into, both great reads in their own right.

An Unkindness of Ghosts, by Rivers Solomon

For generations, World ship HSS Matilda has ferried the last of humanity through space to a mythical Promised Land. With a society organised like the antebellum South, led by brutal leaders, it is a system built on racism and misogyny, attacking the dignity of sharecroppers like Aster. While the ruling sovereign enjoy comfort in the upper decks, the lower class are effectively slaves, forced to occupy the uninhabitable lower decks. It is a story of survival, where brutal losses are not shied away from, making it at times a difficult read, but also an important one.

It is sci-fi, with a world that feels so real, driven by characters that reflect a range of human experiences, including neurodivergence, and representation of LGBTQ+ exploring sexuality and gender. The protagonist, Aster, is flawed, self-effacing, astonishingly courageous, with a huge heart and fierce hope despite what most would think are hopeless odds. I adored her. Each step of the way her journey is a lesson in working with what you’ve got, never giving up, appreciating that no matter what, there are always choices to be found. She actively looks for those choices, never stops fighting, never relents to the iron fist of the perpetrators. There’s so much depth in the writing, and in Aster’s character that it’s impossible not to root for her from the beginning. As the reader I found myself in her point of view, searching for the clues her mother left, cheering her on as she pieces together scraps of evidence, desperately hoping that she may find that infamous way off the ship. But first she must sow the seeds of civil war.

The Fifth Season, by N.K. Jemisin

The world is ending, again, for an unstable Earth where geological disasters lead to apocalyptic events that happen every hundred years or so; little wonder the population regard Earth as the enemy, and value survival above all else. This most recent apocalypse sees a great red rift tearing across the heart of the continent known as the Stillness, spewing ash that will darken the sky for years if not centuries. Against this deadly backdrop, a complex society exists, with various human races, and another sentient species, Orogenes, those with power over the earth itself. Orogenes are feared, hated and exploited by humans, since the Orogene’s powers are deadly, but they can also protect civilisations.

The story follows three distinct and haunting voices. Young Damaya is a powerful Orogene, kept locked away because of her dangerous curse. Syenite is so powerful she is able to raise an obelisk, something not seen in over 3000 years, exposing mysterious ruins of the many civilisations that came before. And Essun, a woman living an ordinary life in a small town, who comes home to find her husband has brutally murdered their son and kidnapped their daughter. A powerful Orogene, Essun sets out across the dying lands in pursuit of her wrecked family, prepared to tear the world apart to save her daughter.

I was invested in the main characters from the start, in particular Essen’s emotionally charged opening storyline. Through Essun we explore those shades of grey: emotionally closed off, she cares only about finding her daughter, and will kill anyone who gets in her way. I also appreciated the diversity of characters, and the ease with with LGBTQ+ relationships are introduced, as is the case with other works by this author. Overall, with its intricately built world and highly complex cast, this is an in-depth, imaginative and inventive story.

What are you reading?

The Warder Celebration & BGC Art

June 2022 was the month for finally getting together to celebrate last year’s release, The Warder. The event was set to go ahead here in Exeter, and preparations were going swimmingly…

but alas, we were thwarted by Covid. Life can be as unpredictable as the twists and turns of our stories, and so came a last-minute shift onto zoom.

Hosted by my publishers, the lovely folks of Stairwell Books, and joined by local guest readers bringing more fantasy, folklore, poetry and rhyme, it was lovely to spend time in the company of other writers, as well as readers of my series so far. And onto my readings.

With a brief intro. to Book One, Return of the Mantra, I was reminded of intrepid Suni and her search for justice and her own identity. Thrust into some stark environments, she discovers what she’s really made of, in contrast to the mountaintop view where her worldview is forever changed. And of course, when you’re up against tyranny and fighting for the natural world, it takes more than one voice. Onto Book 2, The Warder, where we get to know more of our heroines and heroes.

With three main characters in The Warder, three scenes jumped out at me to share.

Wanda, an eighteen-year-old young man, gifted but also cursed by a shadow bound to him. One of his opening scenes is a favourite, looking out over the grasslands, searching for respite from his curse.

Ten-year-old Luna, troubled by strange visions, experiences her own personal breaking high in the mountains.

And, perhaps holding it all together, Suni returns, working to restore harmony to her hometown, while using her gift to watch out over her young friend.

The dominoes are falling, squeezing characters and revealing timeless bonds. All set in a world with new lands revealed, where old and new, the mundane and the fantastical, coexist. Prepare to be cast away to an archipelago of islands in the far western reaches, with the musty air of the cavernous temple and the sound of footsteps crossing the mosaic-tiled floor; in contrast to the warm desert winds of Shendi, carrying spells and curses that touch all those with the gift to hear…

With themes of wildlife and the environment, social justice and marginalisation, magic, animism, being true to oneself, and dragons… Not to mention a diverse range of character arcs revealing love in all its forms.

Prior to the event, I set myself a project to imagine what my characters might look like. Of course, it’s ultimately for readers to draw their own conclusion, but I’ll leave you with the result of the project: a series of portraits, my own artistic interpretation of my beloved characters that span the series, Blood Gift Chronicles.

Happy Reading!

 

For the Love of Books #16

Some stories come along that remind you of the extraordinary scope of SFF. Everfair is one of them. I was fortunate enough to ‘meet’ the author on a panel at last year’s online World Fantasy Convention. After hearing her mention her own book, I was quick to look up the title, and was instantly intrigued by what sounded like an important story. I wasn’t wrong.

Everfair, by Nisi Shawl

Everfair is an extraordinary book, that delivers what the concise blurb suggests, which is no mean feat within the realms of 381 pages. Beginning in the era of King Leopold of Belgium, and the atrocious horrors he wrought in Congo, this speculative masterpiece upends history and carves out an alternate version, giving voice and power to those historically silenced. Using steampunk technology, the native populations of the Congo forge an independent identity and the utopia of Everfair. I adored the inventiveness that perfectly blends with the backdrop: the weaponised air balloons that cover miles of African landscape, and the high-tech prosthetic limbs highlighting the realities of colonial crimes and empowering the victims of those crimes.

All of this is achieved through history told and re-imagined, with invention, political intrigue, unconventional families, diverse love, drama and heroics, power and compromise, delivered through multiple viewpoints that give wonderful depth to a complex era retold.

Beginning in 1889, Lisette Toutournier dreams of a world beyond her small town – and boy does she get that! Meanwhile, in the Congo, ivory has been replaced by rubber, and Reverend Lieutenant Thomas Jefferson Wilson witnesses the horrors that Africans are put through to get it. Fearing for the future of all those suffering abominations in the Congolese Free State, he sets out to speak up against the atrocities. He travels to the UK and implores crowds to write and petition to parliament, calling for abolitionism. But Jackie Owen, a member of the socialist Fabian Society, has a better idea.

In 1893, in Kisangani, Congo, King Mwenda wonders whether his decision to ban all whites from the country was a mistake. He is guided by his spirit father, advice revealed in pictures shown upon Shongo blades. He publicly declares his intention for his people to abandon their lands and disperse. In tune with the timings of the sun’s movements, it is a calculated approach, designed for his intelligence to be underestimated by the whites. Therefore concealing his true intention.

All this, and we’re approaching the first world war.

With Mwenda guided by the shine of his blade, and a multitude of viewpoints expertly delivered through a wonderfully diverse cast, this hard-hitting, magically inventive, and extraordinary tale is told, one that shines a light on history, truth, and the human condition to invent, re-invent, and ultimately take the reins of our own destiny.

What are you reading?

 

For the Love of Books #15

I have a treat in store for this episode of ‘For the Love of Books’, with a trilogy that reminds me of all I love about the YA fantasy genre. I anticipated enjoying the Book of Fire series, with feral people, a wild girl and hidden forests – what’s not to love? It’s all that, and so much more.

The Warder – One Year Anniversary

March saw the one-year anniversary of my sequel, The Warder (Blood Gift Chronicles Book 2). It’s a strange thing to release a book during lockdown, yet the year has been busy regardless, with online events including travelling to Montreal from the comfort of home for World Fantasy Convention 2021. A few in-person events to Birmingham, Bristol and the lovely Weston-Super-Mare were great opportunities to meet readers and join panels that always leave you with more questions than you can ever answer, which is why there are always more books to write!

Winning Firebird Awards for both Blood Gift Chronicles novels so far was a real highlight! Click here for my radio interview. https://www.speakuptalkradio.com/author-susie-williamson/

And, WOW to be compared to the phenomenal Ursula Le Guin in the latest review of The Warder. Click here.

And the reviews keep coming.

Some recent 5*reviews for Return of the Mantra were gratefully received, and raised some thought-provoking points. Plus it’s always wonderful to hear that these characters we painstakingly bring to life are loved and appreciated and strike a chord with readers.

 Click here for review by Yvonne Hendrie: “The otherworldliness of this novel is magical, but the issues Suni faces jab at our consciousness because her world is a microcosm of our own. It’s this which allows the reader to explore their own feelings and responses and ask what they would do in the place of Suni and indeed all the characters who must make difficult choices and decisions. We can do this only because the characters are so real – alive, flawed, trying to survive and thrive while the world around them disintegrates. A truly thought-provoking novel.”

Click here for review by Eliza Mood: “Enjoyed this fantasy of rites of passage touching on belief, spirituality, inner strength. A fable resonant for our time.”

Click here for review by Michelle Kenney: “Return of the Mantra is thought-provoking, unique fantasy, as well as a story that isn’t afraid to tackle difficult themes. I defy you not to be thinking of Suni long after you’ve turned the final page.”

Thank you, Michelle. I feel the same way about Suni, actually about a number of characters in Blood Gift Chronicles. I am currently working on Blood Gift Chronicles Book 3, introducing some new characters, expanding the world to incorporate new landscapes, while prominent faces from the first two books remain. The world is connected and events can throw the most unlikely lives together, pretty much like the world as we know it. I’m enjoying expanding on the story, while hopefully laying the way for readers to venture into unlikely places.

One of my favourite quotes from Lord of the Rings:

“I wish it need not have happened in my time,” said Frodo.
“So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”

And I wonder, would Suni, Zandi, Juna, Wanda and co. share Frodo’s sentiment or Gandalf’s. And I say, choose well, because there is no saying where this next adventure may lead…

Happy Reading!

Books, Climate and #IWD2022

I recently saw a thread on twitter, asking the question, ‘Should we celebrate things when doing so feels like a travesty?’ There’s so much happening in the world that is hard, heart-breaking, scary and overwhelming. Is it then wrong to celebrate World Book Day, art, or the women who inspire us? Finding strength and empathy in times of crises requires resilience. Hopelessness leads to apathy; powerlessness leads to paralysis. So how do we build resilience that allows us to fight for change and do what is within our power?

Perhaps we build resilience through hope, and stave off despair by sharing ideas, strength and joy. That magic ingredient which energises each of us is individual to who we are. For me, it’s stories, books and art, community, and common goals that create positive change. And so, themed on International Women’s Day, comes my blog of two parts. Art news is still to come, but first, a blog from my world of books.

I have many favourite women authors: Octavia Butler, Nnedi Okorafor, Ursula Le Guin, to name a few. All are/were pioneers in their own right, and creative witnesses to the past, present and future. I was delighted to receive a short but sweet recent review of my novel, The Warder, and to be compared to the mighty Ursula Le Guin (blush).

Dave Holwill, author and reviewer, reviewed in the United Kingdom on 4 March 2022

And in celebration of International Women’s Day, I joined the lovely folks of Stairwell Books for an online event, alongside other authors and readers, sharing readings and discussion on the subject of eco feminism, climate change, and the place of fiction. It was great to hear readings from Border 7 and O Man O Clay, two dystopian novels I’ve read and loved. As I gave a reading from my own, Return of the Mantra, I was reminded of the origins of my debut. A fantasy novel with themes of climate change, and contrasting worlds inspired by the landscapes of the Sudan, and South Africa, where I once lived.

Quick recap: The main character is a young woman called Suni. She’s brought up in a desert town ruled by a tyrant leader. All she has known is desert and drought that has lasted for decades. She’s been raised to believe in the old ways of the Mantra, which has a mythology around the cause of the drought. And so begins her story of self-discovery and identity, and a fight for the natural world. She believes the resistance of old are dead, and that there is nothing beyond desert, until she discovers a hidden world where nature is hanging on – I won’t give more away, but on the subject of positivity, I went for an extract that inspires hope.

Click here for the YouTube link to the event, and my extract reading.

It’s what I think fiction can do well, give hope: bring empathy where it’s lacking, shine a light on injustices, show us how strong we can be when the odds are stacked against us, or just allow us the joy of reading. We drive our characters on through thick and thin, and (unless they don’t!) they survive. Themes of climate change run throughout the backdrop of Return of the Mantra. In the following sequels, the story takes a different turn as the world unfolds, but nature still features. I hadn’t necessarily planned it that way, but as I work through Blood Gift Chronicles Book 3, I realise how closely my characters live alongside wildlife. Perhaps there’s hope we can all close the gap between humanity and the natural world.

What are you reading?

Fantastical Creatures

It’s proving to be a fantasy-filled Saturday here at the British Fantasy Society’s Jubilee event – thank you Zoom! Given a reading slot for The Warder, Book Gift Chronicles Book 2, it was great to be able to squeeze in extracts highlighting the points of view of the three main characters. First up, Luna, a girl plagued by visions. Then her older cousin, Wanda, a young man gifted and also cursed by a shadow bound to him. And finally, someone who Wanda shares history with, a woman gifted to watch over her young friend.

As it turned out, the timing worked well, with my reading following a fascinating and fun Fantastical Creatures panel. Storytelling being as old as time, it’s interesting to consider what sparked the big cat legends, or how big birds carrying babies away might have given rise to the first flying dragons. And in the world as we know it, with species going extinct, how stories of dragons often feature a certain melancholy, analogous to real world extinctions. Whatever the origin, from lumbering giants and fearsome trolls, to magical elves and vampires, mythical creatures have captured imaginations since the dawn of time. Spawned from their environment, whether its selkies in a loch, or bogies chasing hunter/gatherers, they are used to entertain, to uphold morality, to connect to the divine, and warn against dangers. And they teach humility. There are things bigger than us, things beyond our control, things of the unknown.

Dragons featured heavily in the panel, of course, with discussion that got me thinking about the dragons I introduce in my own series. Rather than simply other-worldly, havoc-wreaking creatures that are an extension of the existing natural world, the dragons in my series are two-fold: an introspection of the dragons within us, woven into storylines analogous to trauma, loss, mental health, love, loyalty, and empowerment; and yes… the ultimate power rendering us common folk helpless. And then things change again in the final instalment, Book 3, and oh I’m having fun with the magic in that…

It’s such a great genre to work in, with so much scope, and fun – in many ways a great homage to the magic of childhood. As for incorporating fantastical creatures, the options are endless. Do we lean into existing creatures and their tropes, or create something new? As familiar as dragons are, I’m definitely going for a wholly fresh, new angle. And never say never to inventing something entirely from scratch. With so many folders on file and ideas to mull over, new creatures are in there taking shape. Perhaps the imagination is a muscle. The more you use it, the bigger it gets. Love what you do and I certainly do love creating thought-provoking and colourful fantasy worlds that might also just offer some insight into the world as we know it.

To finish, I’ll leave you with a couple of fantastical creature story recommendations: The Forgotten Beasts of Eld by Patricia McKillip, featuring a fantastical menagerie including a swan, a dragon, a lion and a boar; and The Water Bailiff’s Daughter by Yvonne Hendrie, for lovers of selkies.

What are you reading?

For the Love of Books #13

I have a real treat in store for this episode of For the Love of Books: two titles with themes of the natural world, albeit it an extraordinary natural world. The first was one of my favourite reads of 2021.

The Water Bailiff’s Daughter by Yvonne Hendrie

The Water Bailiff’s Daughter is such an unusual read and one I adored. Set against the atmospheric shores of Loch Duie on the western coast, Scottish folklore is woven into the extraordinary tale of Helena Hailstanes, part witch, part otter, part human. It’s a story of self-discovery, as Helena comes to terms with her connection to the ancient race of shape-shifting otters, a connection she shares with her father, Sam.

The extraordinary is also very much rooted in the mundane, bringing to life all the complexities of family. The writing flows with ease, concise in its descriptions that brings the place alive on the page. The dialogue draws you in to characters that left me rooting for each member of this messy, complex family that learns to pull together against the odds. Love, loyalty and mutual respect flourish and grow in this place so tangible I can almost feel the cold waters of the loch and smell the fishy aroma of an otter’s favourite meal.

Each character is on their own path of self-discovery. Sam, a man intimately connected to his otter side, chooses loyalty, forgoing natural instincts to conform for those he grows to love. Through Rose, Sam’s wife, we see the reality of a woman’s place and what she must overcome to be permitted a respectable place in the community. And the main character, Helena, is forced to navigate adolescence: destined to live a small life hidden from the wider world, she yearns for more. All this while discovering her true heritage, her otter instincts, and the truth that overshadows all else. With destinies entwined, there is a reason Helena is closely watched over by the sea witch, Megan. But nothing is predictable in the world of this extraordinary heroine.

A Natural History of Dragons by Marie Brennan

A Victorian woman, Lady Isabella Trent, defies societal conventions with her love of books, natural history and dragons. The book reads as a historical memoir, in the style of classical literature, themed around a wildlife adventure; indigenous wildlife being dragons. Reading like a travel log, written in the first person, the character voice and perspective of Lady Trent was consistent, believable, and provided a new angle that felt unique and fresh.

We first meet Isabella as a girl who collects sparklings, is a voracious reader and loves dragons. She marries a man who accepts her unconventional interests, and at 19 years old, Lady Trent ventures out on her first expedition: dragon spotting on the mountains of Vystrana.

The story is character driven and includes some interesting analogies. This is a woman who comes face to face with dragons, yet on a night of wakefulness, wandering the streets, it is men and an ‘outrage upon my honour’ she fears most. The general context of stifling sexism is well placed for the era, and dragons are Lady Trent’s escape. Her adventures perfectly depict that moment of awe when rounding a corner or emerging atop a summit, and being faced with the extraordinary sight of a dragon full flight, or stretched out across a gentle slope. These sightings, together with scientific discoveries and an in-depth analysis of dragon anatomy, were my favourite parts, in a read where dragons have never felt so real.

What are you reading?

New Frontiers

Last weekend involved a trip to Montreal, Quebec, (from the comfort of my writing room via zoom) for World Fantasy Convention 2021. What a great weekend, not to mention a great opportunity to show off my new bookshelves – such a relief to finally be able to unpack my books! With a half-hour reading slot, I was able to share a taste of The Warder, giving a glimpse into the extraordinary lives of all three protagonists. It’s always wonderful to see captivated listeners, and hear how your words hit home. Thanks to all those who came along to listen.

It was also wonderful to have the opportunity to join in with a couple of panels. The Classics panel reflected on older works, discussing how they hold up to the contemporary lens. It’s astonishing to think of the origin of stories like Dracula, inspired by a sadist, torturer of women, yet still prevalent in popular culture today. My favourite take on vampires is Octavia Butler’s Fledgling, (reviewed in an earlier blog), not least because she takes the opportunity to explore power dynamics.

H.G. Well’s The Invisible Man is a theme that stands the test of time. Invisibility used to add power to men, god-like power giving the ability to act with impunity, lends itself to the theme of the recent remake which tells a haunting tale of domestic abuse. As long as onlookers stay silent, look the other way, aid and abet, perpetrators of domestic abuse are able to act in an absence of scrutiny, akin to the powers of invisibility. A really powerful message, as well as a glimpse into a world of constant surveillance, and warnings of technology made without foresight of damaging consequences.

And no conversation of the classics would be complete without Mary Shelley’s Frankenstein, although for me I was thinking more about the experience of the writer. Eighteen years old when she started writing it, probably inspired by grief, published it around 1818 anonymously out of concern she might lose custody of her children. With scepticism over how a woman could have come up with something so hideous, she endured undermining critique and condescension. And through it all she gifted the world with a remarkable story, delivering messages that monsters are not born they’re created, and that famous cautionary tale that science can go too far.

Then onto the Gendering Genre panel.

From the dubious representations of women in western fairytales (evil witches, evil stepmothers, damsels in distress to name a few), to the prevalence of ‘strong’ kickass women and girls, scantily clad and attractive to the male gaze, to discussing ways conventional expectations can be subverted, and stereotypes challenged. Diverse representations, non-typical heroes, challenging stereotypes, are all huge considerations for me in all aspects of work, so needless to say I loved the panel and was glad to be able to share a sample of my well-loved reads that tick all the boxes. Click here for a few of my favourite complex heroines in SFF, who definitely challenge stereotypes.

Huge gratitude to the organisers for pulling off such a dynamic and complex event, bringing together the in-person and virtual world.

And lastly, the previous week was a quick trip up the motorway for a day of sci-fi/fantasy at BristolCon. More readings, more panels, this time looking at our favourite, and not-so-loved empires in the genre. With each discussion I join in with, I’m reminded what I love about speculative fiction: with its ability to critique, challenge, push back against convention and harmful narratives, it literally paves the way into new frontiers.

What are you reading?