Tag: SFF

For the Love of Books #13

I have a real treat in store for this episode of For the Love of Books: two titles with themes of the natural world, albeit it an extraordinary natural world. The first was one of my favourite reads of 2021.

The Water Bailiff’s Daughter by Yvonne Hendrie

The Water Bailiff’s Daughter is such an unusual read and one I adored. Set against the atmospheric shores of Loch Duie on the western coast, Scottish folklore is woven into the extraordinary tale of Helena Hailstanes, part witch, part otter, part human. It’s a story of self-discovery, as Helena comes to terms with her connection to the ancient race of shape-shifting otters, a connection she shares with her father, Sam.

The extraordinary is also very much rooted in the mundane, bringing to life all the complexities of family. The writing flows with ease, concise in its descriptions that brings the place alive on the page. The dialogue draws you in to characters that left me rooting for each member of this messy, complex family that learns to pull together against the odds. Love, loyalty and mutual respect flourish and grow in this place so tangible I can almost feel the cold waters of the loch and smell the fishy aroma of an otter’s favourite meal.

Each character is on their own path of self-discovery. Sam, a man intimately connected to his otter side, chooses loyalty, forgoing natural instincts to conform for those he grows to love. Through Rose, Sam’s wife, we see the reality of a woman’s place and what she must overcome to be permitted a respectable place in the community. And the main character, Helena, is forced to navigate adolescence: destined to live a small life hidden from the wider world, she yearns for more. All this while discovering her true heritage, her otter instincts, and the truth that overshadows all else. With destinies entwined, there is a reason Helena is closely watched over by the sea witch, Megan. But nothing is predictable in the world of this extraordinary heroine.

A Natural History of Dragons by Marie Brennan

A Victorian woman, Lady Isabella Trent, defies societal conventions with her love of books, natural history and dragons. The book reads as a historical memoir, in the style of classical literature, themed around a wildlife adventure; indigenous wildlife being dragons. Reading like a travel log, written in the first person, the character voice and perspective of Lady Trent was consistent, believable, and provided a new angle that felt unique and fresh.

We first meet Isabella as a girl who collects sparklings, is a voracious reader and loves dragons. She marries a man who accepts her unconventional interests, and at 19 years old, Lady Trent ventures out on her first expedition: dragon spotting on the mountains of Vystrana.

The story is character driven and includes some interesting analogies. This is a woman who comes face to face with dragons, yet on a night of wakefulness, wandering the streets, it is men and an ‘outrage upon my honour’ she fears most. The general context of stifling sexism is well placed for the era, and dragons are Lady Trent’s escape. Her adventures perfectly depict that moment of awe when rounding a corner or emerging atop a summit, and being faced with the extraordinary sight of a dragon full flight, or stretched out across a gentle slope. These sightings, together with scientific discoveries and an in-depth analysis of dragon anatomy, were my favourite parts, in a read where dragons have never felt so real.

What are you reading?

New Frontiers

Last weekend involved a trip to Montreal, Quebec, (from the comfort of my writing room via zoom) for World Fantasy Convention 2021. What a great weekend, not to mention a great opportunity to show off my new bookshelves – such a relief to finally be able to unpack my books! With a half-hour reading slot, I was able to share a taste of The Warder, giving a glimpse into the extraordinary lives of all three protagonists. It’s always wonderful to see captivated listeners, and hear how your words hit home. Thanks to all those who came along to listen.

It was also wonderful to have the opportunity to join in with a couple of panels. The Classics panel reflected on older works, discussing how they hold up to the contemporary lens. It’s astonishing to think of the origin of stories like Dracula, inspired by a sadist, torturer of women, yet still prevalent in popular culture today. My favourite take on vampires is Octavia Butler’s Fledgling, (reviewed in an earlier blog), not least because she takes the opportunity to explore power dynamics.

H.G. Well’s The Invisible Man is a theme that stands the test of time. Invisibility used to add power to men, god-like power giving the ability to act with impunity, lends itself to the theme of the recent remake which tells a haunting tale of domestic abuse. As long as onlookers stay silent, look the other way, aid and abet, perpetrators of domestic abuse are able to act in an absence of scrutiny, akin to the powers of invisibility. A really powerful message, as well as a glimpse into a world of constant surveillance, and warnings of technology made without foresight of damaging consequences.

And no conversation of the classics would be complete without Mary Shelley’s Frankenstein, although for me I was thinking more about the experience of the writer. Eighteen years old when she started writing it, probably inspired by grief, published it around 1818 anonymously out of concern she might lose custody of her children. With scepticism over how a woman could have come up with something so hideous, she endured undermining critique and condescension. And through it all she gifted the world with a remarkable story, delivering messages that monsters are not born they’re created, and that famous cautionary tale that science can go too far.

Then onto the Gendering Genre panel.

From the dubious representations of women in western fairytales (evil witches, evil stepmothers, damsels in distress to name a few), to the prevalence of ‘strong’ kickass women and girls, scantily clad and attractive to the male gaze, to discussing ways conventional expectations can be subverted, and stereotypes challenged. Diverse representations, non-typical heroes, challenging stereotypes, are all huge considerations for me in all aspects of work, so needless to say I loved the panel and was glad to be able to share a sample of my well-loved reads that tick all the boxes. Click here for a few of my favourite complex heroines in SFF, who definitely challenge stereotypes.

Huge gratitude to the organisers for pulling off such a dynamic and complex event, bringing together the in-person and virtual world.

And lastly, the previous week was a quick trip up the motorway for a day of sci-fi/fantasy at BristolCon. More readings, more panels, this time looking at our favourite, and not-so-loved empires in the genre. With each discussion I join in with, I’m reminded what I love about speculative fiction: with its ability to critique, challenge, push back against convention and harmful narratives, it literally paves the way into new frontiers.

What are you reading?

The Warder – Firebird Book Award

I’m delighted to share the news that The Warder (Blood Gift Chronicles Book Two) has won a Firebird Book Award in the young adult fiction category. Click here. Which means that both books are now sporting shiny new stickers!

I love writing stories that can be accessible to younger and older readers alike. I feel like The Warder pushes boundaries in terms of characterisation and representation, challenging familiar tropes and taking us to surprise places, both outwardly and inwardly. There’s so much scope in fantasy to be creative, and so much scope in young adult fiction to speak to a diverse audience. It’s always wonderful to hear your work is appreciated and enjoyed.

Speaking of representation, I recently wrote an article discussing some of my favourite reads with complex heroines. Click here to take a peek at my top five favourites. Return of the Mantra fits the bill, as does The Warder.

And so it’s been a busy time all round, and now I’m preparing for convention panels. I’m looking forward to BristolCon on Saturday, discussing all things worldbuilding and empires. And the week after it’s back on zoom for World Fantasy Con, travelling to Montreal from the comfort of my writing room, discussing the representation of gender, followed by a close up look at some of the classics. But more on that another time…

In the meantime, wishing everyone a great weekend!

For the Love of Books #10

A drizzly grey day brings the promise of Autumn, and with Halloween approaching, I’m thinking ghosts and ghouls and fantastical monsters on the reading list.

Fledgling by Octavia Butler

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FantasyCon 2021

Nearing the end of September and the month has flown by. Last weekend involved a trip to Birmingham to join FantasyCon 2021, an annual convention celebrating the weird and wonderful worlds of SFF.

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For the Love of Books #9

I was introduced to African Australian author, Eugen Bacon when I heard her speak at last year’s World Fantasy Convention. Thought provoking in her viewpoints, challenging in her ideas, refreshing in her insights… I was left inspired to read her work.

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Firebird Book Award

I’m delighted to share the news that Return of the Mantra has won a Firebird Book Award!! It’s wonderful to have recognition for the story. Affiliated with Speak Up Talk Radio in the USA, it’s an inspiring initiative linking the awards with a charity supporting women and children in homeless shelters: while books receive recognition, shelters receive gifts – win win.

I had the opportunity to be interviewed by radio host, Pat Rullo. To listen to the interview download, click here.

And to check out my author page, click here.

It was wonderful to speak with Pat yesterday, who got me thinking about various aspects of the book, my writing journey, and my creative life in general. From the African inspired landscapes in Return of the Mantra, the motivation behind the inspired mythology, to issues around representation and marginalisation in characterisation. The main character just happens to fall in love with another woman. It’s not what the story is about, it’s just part of her backstory, encompassing coming-of-age love. The story backdrop focuses on exploitation of the natural world, while along the way, exploitation of people is revealed, in particular, women and children, as well as the marginalisation of beliefs. Moving forward with the series, it interests me to see what societies go through when systems are overthrown and oppression is challenged. I hope you’ll agree that The Warder offers some insight into how characters evolve and change amid new freedoms and surrounding upheaval.

Overall, the interview got me thinking about the power of stories. Because of the charity that the awards are linked to, it seemed apt to expand on the themes of exploitation in the book, including domestic abuse and sexual exploitation. Having worked with women in various roles, in particular in a women’s refuge here in the UK, it was important for me from the beginning to have a broad range of women’s experiences represented. These are issues often not spoken about, which can leave those effected feeling marginalised. In the book I represent these issues in a non-graphic way, while focusing on messages of empowerment, and the bonds formed from people supporting one another. Together with challenging stereotypes (including different forms of love, complex women, hero underdogs, men who nurture and feel fear as well as courage…) and reflecting society, I was left with the thought of how stories can help harbour feelings of self-worth, affirmation and empowerment.

What are you reading?

 

New Horizons

I’ve returned to Blood Gift Chronicles Book 3 and it’s good to be back. In the midst of a revisit to early drafts, I’m no stranger to heavy-handed deleting, as I incorporate ideas I’ve been mulling over for a while. I plan and plot, dig deep for depth and meaning, while leaving space for the story to evolve and the characters to grow.

I’m excited for this story that will once again work as a standalone, but really, why wouldn’t you read the whole series! Each book is a story in itself, but they’re all connected by an overarching theme. The background mystery we’ve seen unfold so far, comes to a finale in Book 3, and as the world expands, new characters arrive, intermingled with familiar faces. As before there is grit and magic, mythology and drama, love and survival, and dragons… all driven by intriguing characters and spellbinding landscapes.

Like I said, it’s good to be back…

For the Love of Books #8

It’s the month of Pride, and for the second year running, colourful parades are cancelled. To mark the occasion, I have two SFF book reviews with references to the Pride community.

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