Susie comes from Yorkshire and has a varied background of support work and teaching. After four years living and working in the Sudan then South Africa, she settled in Exeter, Devon, and got serious about writing.
via Women In SFF Author Spotlight – Susie Williamson — The Fantasy Hive
It’s Return of the Mantra’s two-year anniversary. Here’s a snippet of where it all began:
Chapter One
I’ve been busy with edits for The Warder, honing in on the detail, polishing, steadily working towards publication. There’s a theme running throughout this novel: Transformation.
Prior to publication of Return of the Mantra, brainstorming book cover ideas with the publishers, I came across Adinkra symbols from West Africa. It’s not an idea we went with, but I surprised myself, managing to reduce a story to one word. I have three stories so far in the series, Blood Gift Chronicles:
It’s been a busy few days, beginning on Saturday when I went along to Wincanton Book Festival. Reading an extract from Return of the Mantra, I chose the scene when Suni first meets a mysterious young boy who doesn’t speak. It reminded me of the tenderness that develops in this parent/child type relationship; a relationship that continues to grow in the sequel. Needless to say it was a lovely day promoting all things books, and as I chatted to interested people, I thought more about the complexities of my female protagonist, a girl who struggles to find her place in the world, who survives and adapts and learns to fight to save her homeland.
If a novel was good, would you care if it was created by Artificial Intelligence?
Inspired by an article in the Guardian, click here, this was a question posed a few weeks ago by Devon Book Club, a weekly forum on Twitter discussing all things books.
My response was one of resistance. My exact words were, ‘This is so inhuman it makes me shudder’.
Tuti Island
Two decades ago, or thereabouts, I was in the Sudan. Last year, after returning my revised manuscript to the publishers, I thought about a snippet from life in North Africa, and a place called Tuti Island. The snippet begins with a walk along the river Nile, where I spotted some boys tormenting a small turtle they had fished. Feeling sorry for the turtle, and possibly unwisely, I handed over a few Sudanese pounds in exchange for the turtle. I headed off down the river, intending to release it, but everywhere I went, the curious boys followed. Unable to find a quiet spot, I took the turtle home, filled the sink with water and stones, and fed it flakes of fish. It wasn’t ideal, but then I heard about Tuti Island, a nearby place which friends were sure would offer a quiet spot for releasing the turtle. So one day I put the turtle in my basket, caught a bus, then a boat, arriving at the small island situated where the White Nile and Blue Nile meet. I found a deserted strip of sand, placed my turtle in the water, and watched it swim to freedom.
I never forgot that island, or the colours and designs the Sudan inspired. And so my recent painting is titled ‘Tuti Island’.
Christmas and New Year have been a series of quiet reflections. Following a year of ill health and loss, it’s a comfort to slow things down, to take deliberate note of the small details, and breathe the fresh air. With its dark evenings, crisp air and sodden ground, winter feels like the perfect time to just take the time, to take stock, to gain a wider perspective, to remember that the moment is now to create what we choose.
As a writer who also indulges in painting, I am no stranger to the blank page, and the blank canvas. And yet perhaps it’s never really blank to start with. We create, and we recreate, capturing moments, thoughts and lives we’ve known and returning them to us in fresh new forms.
The last decade saw my first novel published, the new decade promises more. So much of Return of the Mantra was inspired by life in Africa: people, places, situations I had known, recreating the real into an almost unrecognisable fantasy. The Warder picks up the story ten years on, and by this time it really does have its own life and momentum. I was particularly encouraged to see a recent comment on Twitter from a reader, saying how much they loved the character, Wanda. He was inspired by orphaned children I had known, out of a desire to create an unlikely hero, a gifted young boy. In book 2, aged 18, Wanda takes a more prominent role. Together with his female counterparts they are exposed to a land beyond their shores, and so continues their journey in understanding that the world is not a dichotomy of black and white, good and evil. Rather, it is shades of grey, cause and effect, where personal growth and self-discovery are essential in realising the effect each character has. Not too unlike the real world.
And on that note I wish you a Happy New Year and a peaceful new decade.
So after what has proven to be a challenging year in more ways than one, it seems like a good idea to focus on the good news, and there is lots. Most recently my publisher has produced an updated front cover for Return of the Mantra, ready for reprint, to include the series titles – Blood Gift Chronicles Book One.
AND we’re ready to go with international distribution!! Click here
Blood Gift Chronicles is now a hashtag and edits for The Warder are well underway. I’m excited to see the story taking shape, and the characters come alive on the page. I learnt to love the rewrites a long time ago, to keep going with that extra effort to make the story as good as it can be. And so this is where my head is at most of the time, with my beloved book 2.
It’s been a challenging few months, all the more reason to appreciate the ordinary, like walking independently thanks to the support of my physiotherapist. On the many sunny days we’ve enjoyed over summer, it’s been great to get out and about around Devon, breathe fresh air and just appreciate the surrounds.
A question came up a while ago, at a local book club: how important is place in a story? For me, as a writer, it’s essential. It’s the first heartbeat that begins the planning process. It’s the atmosphere you will be ensconced in as a reader, and the writer. It’s the place that will define the rules, the culture, the day to day life. It’s the thing that sparks my imagination the most.
Whilst in recovery from a recent illness, I’ve had more time to read. Akata Witch by Nnedi Okorofor, and Children of Blood and Bone by Tomi Adenyemi, are now on my list of firm favourites. Both works of fantasy, both Nigerian-American authors, the sights and sounds of Nigeria ooze colour from the pages.
I’ve talked before about how various African landscapes influenced place and culture in Return of the Mantra. It’s a subject I also incorporated into a recent guest blog I did. Click here. Books 2 and 3 venture further into the unknown world of creativity. Awaiting the edits of Book 2, revisiting the first draft of Book 3, I’m reminded of the importance of place, the importance of digging deep for those details that will bring to life a land of my imagination. I’m excited for these new lands that I can see so clearly.
Place also features in my painting life, in the form of abstract landscapes, mostly African inspired.
At Market:
Home:
Long Walk:
These three pieces are from a collection I call Perspectives, capturing snapshots of rural township life in South Africa. When I started this collection I decided on three pieces. Now it is finished, there may be more. As is so often the case, one thought generally sparks another…
