Tag: Fantasy Writing

Shades of Inspiration

It’s been a busy start to the year. Approaching the end of January and I wonder where the month has gone. Manuscript edits are under way, and I’m enjoying time spent with my characters in a world that grows more colourful, and more daring with each scene. And my collection of shorts and poetry is also growing; it’s wonderful to get out and about sharing words.

As always, January is the time for making plans, signing up, and getting dates in the diary. The excitement of the year is WorldCon coming to the UK. Plans are underway for the trip to Glasgow, with the added bonus of the guest of honour who just happens to be one of my favourite authors… guess who…

‘People get inspired to write, paint, draw, sing, sculpt, dance in many different ways. And there are many types of art. But the one thing that they all have in common is that they are all a sort of magic. Sometimes the magic flows from one’s fingers, other times it is transferred to the person who experiences the result. Magic has always worked in mysterious ways.’ – Nnedi Okorafor.

And a recent book-haul is just waiting to be devoured.

Inspiration comes in many forms, and I’m lucky to have so much around to inspire. A recent trip to the Pulp Exhibit in Bovey Tracey was a glorious injection of colour on a cold afternoon, and an interesting look at the interface between art, the environment and how we question the world. The sculptures are made from recycled cardboard and it’s the second time for me viewing this artist’s work. James Lake, it won’t be the last.

My own art project is underway, inspired by local Devon and Cornwall surrounds – more at a later date. And I continue to venture out and about, soaking up scenery that one way or another finds its way into writing.

From big skies over the Teign valley, watched over by Castle Drogo…

To waterwheels, ancient bridges, giant oaks and winter snowdrops, lining the River Bovey.

Close encounters with the outdoors, spying the layers of nature and colour making up the scenic tapestry, is the best inspiration for building worlds. And that’s where I’ll leave you for today, while I travel through the pages of my latest instalment of Blood Gift Chronicles. There may not be snowdrops, but there is yellow gorse and purple heather, and natural extracts to ward off the curse of the evil eye…

Have a great week!

Heroes & Villains in SFF

I’m engrossed in the re-writes of Blood Gift Chronicles Book 3, with characters spanning the good, the bad, and the morally grey, in this far-reaching world where ‘reap what you sow’ takes on a whole new meaning. In a recent scene with a particularly dastardly character, it got me thinking about what makes a good villain.

Happy New Year 2022!!

New Year’s Eve was a day for tying up loose ends, making plans, visiting friends, and a quick trip to one of my favourite places in Exeter: the quay.

   

 

The streets were quiet, but the late-night skies were ablaze with fireworks. Now ever-so-slightly-bleary eyed and time to reflect.

2021 has been a memorable year in more ways than one. I was super proud to be able to release The Warder, Blood Gift Chronicles Book 2, and to receive Firebird Awards for both Return of the Mantra (winner of LGBTQ fiction category) and The Warder (winner of YA fiction category). Click here for my award interview.

Like its predecessor, The Warder was a labour of love over many years, and it’s great to hear from readers who have got in touch or listened at various on-line and in-person events this year.

The Warder is the sequel to one of my favourite books of 2018, Return of the Mantra. I wasn’t sure Susie would be able to increase the enthusiasm I had for her characters and her world, but she left me reeling after a couple of pages.”

“The way Susie was able to expand her world without slowing down the narrative was a masterclass in worldbuilding.”

‘This book is a charming story of loss, love and finding yourself in the most unexpected places. It is epic fantasy with a heart that will leave you scarred but begging for me. Plus it has dragons and who doesn’t love dragons. I can’t wait to return to this world.”

Click here for full review.

I couldn’t wait to return to the world either, and have been immersed in book 3, working towards the conclusion of the overarching story that connects these three books. Tying up loose ends is hugely satisfying, while further developing the landscapes of the world, complete with new characters and familiar faces at the next stage of their lives. With colour, depth, texture and layers, I’m excited to get back to the writing.

For now a pause as we tip into January, complete with a fresh new diary just waiting to be filled.

I love this time of year, these moments of calm after the busyness of Xmas, the quiet after fireworks to consider possibilities for the year ahead.

Wishing everyone a Happy, Healthy, Peaceful, Creative, Wonderful New Year 2022!!

New Horizons

I’ve returned to Blood Gift Chronicles Book 3 and it’s good to be back. In the midst of a revisit to early drafts, I’m no stranger to heavy-handed deleting, as I incorporate ideas I’ve been mulling over for a while. I plan and plot, dig deep for depth and meaning, while leaving space for the story to evolve and the characters to grow.

I’m excited for this story that will once again work as a standalone, but really, why wouldn’t you read the whole series! Each book is a story in itself, but they’re all connected by an overarching theme. The background mystery we’ve seen unfold so far, comes to a finale in Book 3, and as the world expands, new characters arrive, intermingled with familiar faces. As before there is grit and magic, mythology and drama, love and survival, and dragons… all driven by intriguing characters and spellbinding landscapes.

Like I said, it’s good to be back…

News Update

Just over two years ago, Return of the Mantra was released into the world: the first in the series, Blood Gift Chronicles. Now, with the edits complete and book cover plans underway, it’s exciting to see Book 2, The Warder, reaching its final milestone.

Transformation

I’ve been busy with edits for The Warder, honing in on the detail, polishing, steadily working towards publication. There’s a theme running throughout this novel: Transformation.

Prior to publication of Return of the Mantra, brainstorming book cover ideas with the publishers, I came across Adinkra symbols from West Africa. It’s not an idea we went with, but I surprised myself, managing to reduce a story to one word. I have three stories so far in the series, Blood Gift Chronicles:

Quiet Reflections for a New Decade

Tuti Island

Two decades ago, or thereabouts, I was in the Sudan. Last year, after returning my revised manuscript to the publishers, I thought about a snippet from life in North Africa, and a place called Tuti Island. The snippet begins with a walk along the river Nile, where I spotted some boys tormenting a small turtle they had fished. Feeling sorry for the turtle, and possibly unwisely, I handed over a few Sudanese pounds in exchange for the turtle. I headed off down the river, intending to release it, but everywhere I went, the curious boys followed. Unable to find a quiet spot, I took the turtle home, filled the sink with water and stones, and fed it flakes of fish. It wasn’t ideal, but then I heard about Tuti Island, a nearby place which friends were sure would offer a quiet spot for releasing the turtle. So one day I put the turtle in my basket, caught a bus, then a boat, arriving at the small island situated where the White Nile and Blue Nile meet. I found a deserted strip of sand, placed my turtle in the water, and watched it swim to freedom.

I never forgot that island, or the colours and designs the Sudan inspired. And so my recent painting is titled ‘Tuti Island’.

Christmas and New Year have been a series of quiet reflections. Following a year of ill health and loss, it’s a comfort to slow things down, to take deliberate note of the small details, and breathe the fresh air. With its dark evenings, crisp air and sodden ground, winter feels like the perfect time to just take the time, to take stock, to gain a wider perspective, to remember that the moment is now to create what we choose.

As a writer who also indulges in painting, I am no stranger to the blank page, and the blank canvas. And yet perhaps it’s never really blank to start with. We create, and we recreate, capturing moments, thoughts and lives we’ve known and returning them to us in fresh new forms.

The last decade saw my first novel published, the new decade promises more. So much of Return of the Mantra was inspired by life in Africa: people, places, situations I had known, recreating the real into an almost unrecognisable fantasy. The Warder picks up the story ten years on, and by this time it really does have its own life and momentum. I was particularly encouraged to see a recent comment on Twitter from a reader, saying how much they loved the character, Wanda. He was inspired by orphaned children I had known, out of a desire to create an unlikely hero, a gifted young boy. In book 2, aged 18, Wanda takes a more prominent role. Together with his female counterparts they are exposed to a land beyond their shores, and so continues their journey in understanding that the world is not a dichotomy of black and white, good and evil. Rather, it is shades of grey, cause and effect, where personal growth and self-discovery are essential in realising the effect each character has. Not too unlike the real world.

And on that note I wish you a Happy New Year and a peaceful new decade.

Good News Wrap Up!

So after what has proven to be a challenging year in more ways than one, it seems like a good idea to focus on the good news, and there is lots. Most recently my publisher has produced an updated front cover for Return of the Mantra, ready for reprint, to include the series titles – Blood Gift Chronicles Book One.

AND we’re ready to go with international distribution!! Click here

Summer Days

It’s been a challenging few months, all the more reason to appreciate the ordinary, like walking independently thanks to the support of my physiotherapist. On the many sunny days we’ve enjoyed over summer, it’s been great to get out and about around Devon, breathe fresh air and just appreciate the surrounds.

Abstract Landscapes

A question came up a while ago, at a local book club: how important is place in a story? For me, as a writer, it’s essential. It’s the first heartbeat that begins the planning process. It’s the atmosphere you will be ensconced in as a reader, and the writer. It’s the place that will define the rules, the culture, the day to day life. It’s the thing that sparks my imagination the most.

Whilst in recovery from a recent illness, I’ve had more time to read. Akata Witch by Nnedi Okorofor, and Children of Blood and Bone by Tomi Adenyemi, are now on my list of firm favourites. Both works of fantasy, both Nigerian-American authors, the sights and sounds of Nigeria ooze colour from the pages.

I’ve talked before about how various African landscapes influenced place and culture in Return of the Mantra. It’s a subject I also incorporated into a recent guest blog I did. Click here. Books 2 and 3 venture further into the unknown world of creativity. Awaiting the edits of Book 2, revisiting the first draft of Book 3, I’m reminded of the importance of place, the importance of digging deep for those details that will bring to life a land of my imagination. I’m excited for these new lands that I can see so clearly.

Place also features in my painting life, in the form of abstract landscapes, mostly African inspired.

At Market:

Home:

Long Walk:

These three pieces are from a collection I call Perspectives, capturing snapshots of rural township life in South Africa. When I started this collection I decided on three pieces. Now it is finished, there may be more. As is so often the case, one thought generally sparks another…